Jonny Johansson delivers sculptural uniforms that redefine powerful dressing codes.
Charaf Tajer leaves controversies behind with an ambitious collection that honors the past, present, and future.
Marking the Italian brand’s sixth collection.
With big logos, Maria Grazia Chiuri lauds the casual, well-priced sub-label, which launched as Dior’s bid to reach younger women in 1967.
Creative director Filippo Grazioli utilized varying straight lines to make traditional masculine and feminine style tropes appear modern.
Beate Karlsson gave viewers the liberty to destroy her looks with humorous evaluation techniques.
While it rained outside, Jil Sander invited guests into a comfortable audiovisual universe drenched in hues of sage and complete with live music.
Matthieu Blazy flaunts his ability to make fashion move freely, with both avant-garde creations and very wearable ensembles.
One century on, Maximilian Davis remasters the revolutionary era’s liberated uniforms for his contemporary clientele.
“The clothes take the codes of contemporary formal tailoring and disrupt them with cut, drape, and embellishment,” said Donatella Versace.
The line, which cited zero images or references, wanted nothing to do with pre-conceived notions.
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