'Insidious: The Red Door' Earns $32.6 Million USD Box Office Opening, Surpassing 'Indiana Jones 5'

The franchise’s first film in five years.

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Insidious: The Red Door surpassed expectations for its opening weekend at the box office, raking in a whopping $32.6 million USD. The film, which arrived as the fifth installment in the Insidious franchise, snatched the No. 1 spot from Disney‘s Indiana Jones and the Dial of Destiny, which acquired $26.5 million USD in its second weekend.

The Red Door, which is said to be the last entry in the franchise, cost approximately $16 million USD to make, allowing the Sony film to turn a profit in its first weekend of release, across 3,188 domestic venues. Indiana Jones 5, meanwhile, opened with $60 million USD, a far cry from the film’s budget, which neared $300 million USD.

The new Insidious installment also saw comparable success internationally, bringing in $31.4 million USD from theaters abroad. The Red Door became the highest-grossing horror premiere overseas, though Indiana Jones 5 still held the top spot by a narrow margin at $31.8 million USD. Domestic and international sales combined, The Red Door‘s opening weekend revenue totaled $64 million USD worldwide.

Insidious: The Last Key, the fourth installment in the franchise released in 2018, earned $29.5 million on its opening weekend. 2013’s Insidious: Chapter Two still holds the highest opening weekend numbers of the franchise, bringing in $40.2 million USD upon its premiere.

As for the rest of the domestic box office rankings, Sound of Freedom snagged the third spot, Pixar’s Elemental claimed fourth and Spiderman: Across the Spider-Verse held down fifth place.

Insidious: The Red Door stars original cast members Patrick Wilson, Ty Simpkins, Andrew Astor and Rose Byrne; Wilson also directed the film.

Elsewhere in entertainment, check out the original images from Amy Seimetz’s version of The Idol.

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Elaina Bernstein
Elaina Bernstein Editor

Elaina Lauren Bernstein is a New York-based writer and editor, overseeing Hypebeast's music vertical, Hypetrak. She handles both editorial and social coverage for Hypetrak, and served as the Deputy Editor for Summer 2025's Hypetrak Magazine — the first in 10 years. With a particular affinity for underground hip hop, she has racked up a wide range of interviews and cover stories, spanning A$AP Rocky, Larry June, Shaboozey, Leon Thomas, Rihanna, Brent Faiyaz, Jean Dawson, and Miguel, and has covered major music tentpole events including the Grammys and Coachella. The intersection of fashion and music guides her coverage as well.

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