Referencing archival shows such as Spring 1994’s “Les Tatouages” to transforming the “Le Male” fragrance into looks, heels and trompe-l’œil detailing.
Strengthened by brotherhood.
An Ottoman Empire-inspired collection.
The designer continues to build on his established extreme aesthetic codes.
Showing how garments can flow with a wearer’s body.
The Paris Fashion Week runway show combined Abloh tropes with house signatures, reinterpreted classics and saw Kendrick Lamar perform live alongside the Marching 100 band.
The designer’s two-part Paris Fashion Week show combined Shakespearean ruffles with Hannibal Lecter masks.
Matthew M Williams looks to the men in his orbit for his first standalone menswear show for the house.
Kévin Nompeix and Florentin Glémarec juxtapose trends and tastes at Paris Fashion Week.
Paying homage to the iconic oeuvre and iconoclastic approach of the fashion illustrator and photographer.
A reflection of the “Versace Man” with a statement to make.
“As much as it is real, thus objective, it is all very subjective, and rather puzzling, or defiant, or insolent because of that.”
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