Summary

Apple will host its "Pro and tell" special hardware event in Los Angeles on October 28The showcase is rumored to debut the first OLED touchscreen MacBook Pro models featuring a Dynamic IslandExpected reveals include an updated iPad mini alongside M6-powered desktop and laptop options

Apple is preparing to close out an unusually dense release schedule with a special hardware event scheduled for Wednesday, October 28, at 10 a.m. PT. Taking place in Los Angeles, the impending showcase marks the company's second major product presentation in a single month. The official tagline for the presentation is "Pro and tell," a moniker directly embraced by leadership. Executive Greg Joswiak stoked anticipation for the presentation by sharing the event invite artwork on social media on October 19, writing to followers, "Can't wait to pro and tell next week."

According to Bloomberg's Mark Gurman, the "Pro and tell" presentation is expected to center on Apple announcing its first MacBook Pro models equipped with both a touchscreen and an OLED display. These OLED touchscreen machines will reportedly be available in 14-inch and 16-inch sizes. Beyond the upgraded screen technology, the new laptops are expected to feature a Dynamic Island for the first time. Adding touch input to the Mac line reverses the company's long-standing design philosophy of keeping laptop and tablet interaction models separate.

Regarding physical design, the upcoming OLED MacBook Pro models will weigh significantly less than the current generation. Underneath the exterior, these touchscreen laptops are expected to run on the brand's M5 Pro and M5 Max chips.

Reports indicate the October 28 event docket includes a suite of supplementary reveals, beginning with a revamped iPad mini. The updated tablet features an OLED screen, an updated speaker system and a relocated FaceTime camera. Apple is also rumored to debut a new iMac alongside entry-level 14-inch MacBook Pro models, both expected to be powered by the M6 chip. In contrast to the overhauled touchscreen models, the rumored M6-powered iMac and entry-level laptops will reportedly retain the physical design of current versions.

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Summary

Elon Musk announced on X that he plans to give one SpaceX share to every child in the United States next yearThe proposed distribution would encompass roughly 72.1 million minors and exceed a total value of $10.5 billion USDThe allocation is slated to roll out via tax-deferred youth investment accounts introduced by the Treasury Department

SpaceX chief Elon Musk has announced a plan to distribute one share of the aerospace company to every minor in the United States. The pledge was revealed via X early Monday, representing a potential giveaway valued at over $10.5 billion USD.

Posting to X, Musk stated: “Next year, I will give one of my SpaceX shares to every kid in America. This will be the first of many.” According to U.S. Census Bureau data, roughly 21.1% of the country's 341.8 million residents are under the age of 18, representing approximately 72.1 million eligible youth. Musk maintains a 48.4% beneficial stake in SpaceX with roughly 6.42 billion shares, contributing to an estimated net worth of $908 billion USD.

The stock distribution will reportedly be facilitated through Trump Accounts, the tax-deferred investment accounts for American citizens under 18 established by the Treasury Department in July. Musk's announcement followed an exchange regarding artificial intelligence rival Anthropic, which committed 5% of its shares to an internal public benefit fund. Musk responded directly to the news, commenting, “I recommend giving the shares directly to the public,” before adding, “This is what I will be doing.”

SpaceX—which encompasses rocket operations, satellite internet, artificial intelligence, and social platform X—went public in June. After debuting at $150 USD per share and peaking at $225.64 USD, the stock is currently trading just under its initial listing price.

Next year, I will give one of my SpaceX shares to every kid in America.

This will be the first of many.

— Elon Musk (@elonmusk) October 19, 2026

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Sony has updated its high-end portable audio lineup with three next-generation Walkman digital media playersThe range is led by the flagship NW-WM1ZM3 boasting a gold-plated oxygen-free copper chassis and high-resolution internalsPreorders are open now via Sony and Amazon with prices ranging from $1,899.99 to $5,899.99 USD ahead of a January shipping date

Sony has officially refreshed its luxury audio roster with the introduction of its new Walkman digital media player lineup, headlined by the flagship Sony Signature Series NW-WM1ZM3. First reported by Joseph Green, the three-tier collection opens for preorder alongside the aluminum-bodied NW-WM1AM3 and the more accessible NW-ZX900.

Engineered for sound purists, the updated models are "engineered to deliver exceptional sound and incorporate a wealth of premium audio components throughout their design." Anchoring the collection is the flagship NW-WM1ZM3 ($5,899.99 USD), constructed with a precision-machined, gold-plated oxygen-free copper chassis. Inside, the device integrates dual solid high-polymer capacitors, heavy KIMBER KABLE wiring, and Sony’s S-Master HX digital amplifier with Native DSD support. It also boasts a 5.5-inch touchscreen display, Android-powered streaming capabilities, and up to 35 hours of high-resolution battery life.

The launch is rounded out by the aluminum-bodied NW-WM1AM3 ($2,999.99 USD) and the compact NW-ZX900 ($1,899.99 USD), which translate high-fidelity digital decoding and modern connectivity into more approachable formats.

The Sony NW-WM1ZM3, NW-WM1AM3, and NW-ZX900 Walkmans are available for preorder now via Sony and select retailers, with orders scheduled to ship in January.

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Summary

Apple’s all-new iPhone Duo entered backorder status minutes after pre-orders went liveDelivery estimates across all configurations quickly slipped to mid and late November due to tight initial supply and high demandIn-store retail availability and initial customer shipments officially begin on October 23

Apple has seen its newly announced iPhone Duo rapidly sell out across digital storefronts, with delivery windows slipping moments after pre-orders opened at 8 a.m. ET. According to Apple Insider, the initial supply of the new hardware was quickly depleted across all configurations.

Within minutes of launch, shipping windows for the device slipped back to November 16 and subsequently to November 23. While Apple traditionally maintains secrecy regarding exact launch inventory numbers, the extended dispatch times point to both significant early buyer demand and constrained launch-day volume. Reports highlight that the phone's intricate design has introduced complex manufacturing hurdles, limiting the initial production yield compared to conventional releases.

Arriving as the most expensive iPhone model Apple has ever produced, the launch comes against the backdrop of an ongoing global chip shortage that has pushed electronics costs upward across the tech landscape. While customers can still submit backorders through online channels, supply for day-one fulfillment remains tightly restricted.

The Apple iPhone Duo officially arrives in retail stores and begins initial customer deliveries on October 23, 2026.

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Sony officially introduced the ECM-W5 wireless microphone kit, delivering 32-bit float recording and deep integration for digital creatorsThe $400 USD base system features dual mic transmitters equipped with 64GB of internal memory and a touchscreen-enabled receiverPre-orders are open immediately ahead of a scheduled November rollout

Sony introduced the ECM-W5, a new wireless microphone kit built for sound capture. Priced at $400 USD, the system targets creators seeking tight integration with Sony Alpha series cameras and the workflow advantages of 32-bit float recording. Out of the box, the base setup arrives with one rectangular receiver and two microphone transmitters to set a foundation for high-fidelity audio capture on the move.

An advanced set of technical capabilities powers the recording process. The system captures 96kHz audio from up to 500 meters under line-of-sight conditions. Every individual transmitter is armed with 64GB of internal memory, which directly enables 32-bit float recording. This capability captures both quiet and loud sounds with clarity, eliminating manual gain adjustments on the fly so videographers can capture chaotic shoots for post-production without actively riding audio levels.

Sony designed the hardware for versatility and device synergy. The ECM-W5 connects directly to Sony Alpha cameras through the proprietary Multi Interface Shoe, which allows the unit to receive power and transfer data without external cables. For alternative rigs, the receiver records audio directly to other devices and includes a dedicated USB-C adapter for connections to a smartphone or a PC. Transmitters deliver 11 hours of battery life and feature built-in magnetic backplates for pinning directly to a shirt.

The system can scale alongside expanding production needs. While the base package handles two audio sources, users can capture up to four tracks simultaneously by purchasing additional transmitters. Control is handled through the receiver, which features an integrated touchscreen for immediate adjustments. Professionals can also listen to audio playback wirelessly using Bluetooth LE and Sony headphones connected to the receiver. The entire ECM-W5 lineup is available for pre-order immediately and is scheduled to ship in November. Customers looking for custom loadouts can pre-order a standalone ECM-W5R receiver for $190 USD, alongside individual ECM-W5T transmitters priced at $120 USD each.

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Summary

Apple’s HomePod mini 2 pairs the S10 chip with computational audio that tunes playback to each track in real timeA new Sound Glow feature turns the speaker’s top into a reactive light canvas synced to bass, treble and album artThe speaker arrives in pink, green, blue, white and midnight, with Siri AI landing in a future software update

Apple has unveiled HomePod mini 2, the second generation of its pocket-sized smart speaker, rebuilt around the S10 chip and a fresh five-color lineup. The update brings Sound Glow, a reactive lighting layer across the top surface, along with support for four-speaker surround sound, Mac speaker duty and the overhauled Siri AI assistant, which is set to arrive through a later software update.

At the core of the speaker is the Apple S10 chip, which drives a computational audio system that reads music as it plays and adjusts dynamic range, loudness and acoustic output on the fly. The result is 360-degree sound from the same compact footprint, scalable from a single unit to a stereo pair or a full multiroom configuration.

Sound Glow is the most visible addition, transforming the speaker’s top into a lit surface that pulses and shifts in real time with the low and high frequencies of a track. Colors are pulled from the album artwork in Now Playing, so each song generates its own palette, while ambient soundscapes such as rain trigger custom animations designed for winding down. Controlling Sound Glow by voice requires an Apple Intelligence-enabled iPhone.

Those lighting effects play off the new finishes, offered in pink, green, blue, white and midnight and designed to coordinate with Apple’s Mac colorways. HomePod mini 2 can now act as the audio output for any Mac with Wi-Fi 6E or later, either solo or as a stereo pair, covering movies, games and video calls. “HomePod mini 2 brings together Siri AI, gorgeous new colors, and incredible audio,” said Kaiann Drance, Apple’s vice president of Worldwide Home Product Marketing, in a press release.

Home theater setups get a meaningful bump as well, since HomePod mini 2 can now form a four-speaker surround system with the 4th-generation Apple TV 4K. The speakers work out where each unit sits in the room and calibrate timing and levels automatically, with HomePod (2nd generation) also compatible provided the front and rear pairs match.

Siri AI, built on an entirely new architecture using the latest Apple Foundation Models, will reach the speaker through a future software update in English across the U.S., Australia, Canada, India, New Zealand, Singapore, South Africa and the UK. Once live, HomePod mini 2 can distinguish up to six household members by voice and, when linked to an Apple Intelligence-enabled iPhone or iPad, act on personal context across apps, from surfacing a song a friend texted to adding items to a grocery list. Households without a compatible phone still get Siri AI’s web-sourced world knowledge, more natural back-and-forth conversation and improved music discovery, while requests are processed either on-device or through Private Cloud Compute, where data is never stored or made accessible to Apple.

As a smart home controller, the speaker handles voice-triggered routines like locking doors, closing the garage, dimming lights or adjusting the thermostat, and doubles as a home hub for remote control through the Home app. Sound Recognition listens for smoke and carbon monoxide alarms and pushes alerts to iPhone, iPad and Apple Watch, and the speaker can announce visitors by name via Face Recognition when paired with Apple Home Collection video doorbells and cameras, which roll out starting in December.

Apple’s material spec extends to the internals, with fully recycled rare earth elements in every magnet and 100 percent recycled copper, gold plating and tin solder across all Apple-designed circuit boards. The packaging is entirely fiber-based.

Pre-orders for HomePod mini 2 are open now via Apple and the Apple Store app across the US and more than 23 other countries and regions, with in-store availability beginning Friday, October 30.

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Summary

Apple’s 4th-generation Apple TV 4K debuts Siri AI as a full-screen, conversational guide to everything on the big screenThree built-in far-field microphones and an A19 chip with a dedicated AV1 decoder make it the most capable box in the lineupThe streamer arrives as the anchor of a wider Apple Home rollout that also includes HomeView, HomePod mini 2 and the Apple Home Collection

Apple has introduced the 4th-generation Apple TV 4K, a reworked streaming box built around Siri AI, the overhauled assistant powered by the next wave of Apple Intelligence. Beyond the software leap, the new unit adds three far-field microphones for voice control without the remote, a significantly faster A19 chip and support for a four-speaker HomePod surround setup that calibrates itself to the room.

Siri AI lives on Apple TV 4K as a full-screen interface rather than a small pop-up, letting viewers search by mood, award wins or genre and browse results as poster art pulled straight from the Apple TV app. Mid-episode questions about filming locations or age suitability surface in a discreet overlay that keeps the show running, and owners with an Apple Intelligence-enabled iPhone can lean on personal context for requests like queuing up a series a friend suggested. Siri AI launches as a beta in tvOS 27.2, works on Apple TV 4K units from the 2nd generation onward, and is initially limited to English in the U.S., Australia, Canada, India, New Zealand, Singapore, South Africa and the UK.

Hands-free operation comes courtesy of a trio of far-field microphones paired with echo cancellation that separates a speaker’s voice from whatever is playing, so “Siri” commands register even at full volume. Mic data runs through Secure Exclaves on the A19, isolated runtimes walled off from tvOS, apps and Apple itself, while Siri requests are handled either on-device or through Private Cloud Compute, where nothing is stored or exposed. Far-field voice support currently covers nine primary languages, including English, Mandarin Chinese, French and German.

Under the hood, the A19 chip posts gains of as much as 50 percent in CPU speed and up to double the GPU output of the outgoing model, translating into snappier menus and smoother animation. A new dedicated AV1 decoder also lets the box stream high-quality video more efficiently on less bandwidth. The Siri Remote keeps its existing silhouette but gains Find My support with Precision Finding, plus a play-sound option exclusive to the newest version, and it is compatible with Apple TV HD and every Apple TV 4K.

Audio gets an equally significant bump, as Apple TV 4K can now drive a four-speaker surround configuration using HomePod mini 2 units for the first time, with HomePod (2nd generation) also supported as long as the front and rear pairs match. The speakers detect where they sit in the room and automatically tune timing and levels to the space, removing the manual setup that typically comes with multi-speaker home theater.

The streamer lands on the same day as three companion launches, HomeView, HomePod mini 2 and the Apple Home Collection of smart home accessories, positioning it as the hub of a coordinated living-room push. As a home controller, it surfaces doorbell alerts on screen so users can see and speak with visitors or unlock the door mid-show, adds Apple Intelligence-written descriptions and summaries for HomeKit Secure Video clips, and connects devices over built-in Wi-Fi and Thread. “With Siri AI, finding something to watch becomes a full-screen, conversational experience... Now, alongside HomeView, HomePod mini 2, and Apple Home Collection, it’s part of the most connected Apple Home we’ve ever built,” said Bob Borchers, Apple’s vice president of Worldwide Product Marketing, in a press release.

Apple’s material story runs deep into the internals, with fully recycled gold plating and tin solder across all Apple-designed circuit boards and 100 percent recycled rare earth elements in every magnet. The thermal module uses 80 percent recycled aluminum, the Siri Remote’s enclosure is made entirely from recycled aluminum, and the packaging is 100 percent fiber-based.

Pre-orders for the Apple TV 4K (4th generation) are open now via Apple and the Apple Store app across the US and 29 other countries and regions, with in-store availability beginning Friday, November 13. The new Siri Remote is also sold separately.

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Summary

Apple drops new public and developer beta firmware across a massive slice of its audio lineupThe blind update carries a unified build number without confirmed featuresInstallation demands strict adherence to device-specific charging and pairing protocols

Apple released new AirPods beta firmware on Tuesday, October 13, pushing developer and public beta builds across its wearable lineup. Every supported device receives the update under the unified 9B5043a build number. Despite releasing the fresh software, the company has not detailed what features, tweaks or changes are baked into the code. This uniform rollout pushes a single foundational build across hardware tiers simultaneously, resetting the software baseline without revealing upcoming capabilities.

The software availability spans a broad portion of Apple's audio lineup. Supported models include the AirPods Pro 3 alongside both the Lightning and USB-C variations of the AirPods Pro 2. Entry-level options receive the build through the AirPods 5 and the AirPods 5 with a Wireless Charging Case. Mid-tier support includes both the standard AirPods 4 and the AirPods 4 with Active Noise Cancellation (ANC). Finally, the over-ear category receives the update on the flagship AirPods Max 2.

To receive the AirPods beta firmware, users must manually opt into the testing phase. Public beta participants can enable the toggle located inside the AirPods settings menu on an iPhone. Triggering the installation requires a specific setup environment. Host devices, including connected iPhones, iPads or Macs, must run the latest available operating system version. Additionally, the host device needs an active Wi-Fi connection before the transfer initiates.

Installation requirements depend on the specific hardware model. For traditional in-ear models, users must place the earbuds inside a power-connected charging case with the lid closed. Upgrading the over-ear AirPods Max 2 involves a direct cable connection. Owners must plug a charging cable into the bottom-right earphone and connect the other end to a USB port or charger.

Once physical connections are established, the transfer period begins. Users must keep the headphones within Bluetooth range of their connected Apple device for at least 30 minutes. The installation runs in the background while the file transfers. If users cannot install the AirPods beta firmware after following these steps, Apple advises them to reset their headphones and restart the process.

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Summary

Apple Home Collection is a new range of smart home hardware developed with LG Electronics and Schneider Electric and managed entirely through the Home appThe lineup includes four LG cameras, an Ultra Wideband smart deadbolt, two smart thermostats and standalone temperature sensorsEvery piece pairs with a single tap of an iPhone and runs on end-to-end encryption that keeps home data out of reach of Apple and its partners

Apple has introduced Apple Home Collection, a suite of smart home accessories co-designed with LG Electronics and Schneider Electric that covers cameras, a video doorbell, a smart lock, thermostats and room sensors. Each device sets up through the Home app with no extra app or account, works with Siri and is built to operate either on its own or as part of a coordinated system.

For years, Apple has relied on its Works with Apple Home and Matter certifications to bring third-party hardware into its ecosystem, but this collection marks a deeper level of involvement, with Apple working directly alongside LG Electronics and Schneider Electric on how each product integrates, mounts and looks. The lineup arrives as part of a wider home push unveiled the same day, alongside HomeView, HomePod mini 2 and the new Apple TV 4K, all of which can serve as the hub that ties these accessories together. “Working closely with industry leaders LG Electronics and Schneider Electric, we designed every accessory to work seamlessly with Apple Home, so managing your home is simple, reliable, and private,” said Matthew Costello, Apple’s vice president of Hardware Engineering, in a press release.

Setup follows the HomePod playbook, with each accessory added to Apple Home via an NFC tap from an iPhone and controlled from a single app without a manufacturer login. Every device supports Thread to stay connected if Wi-Fi drops, and the hardware automatically picks up new network credentials when a household changes its router settings. Finishes are kept minimal, with LG pieces offered in Essence Graphite, Essence Silver or Essence White and Schneider Electric’s hardware in white and silver tones.

LG’s four cameras anchor the monitoring side of the lineup, each recording at up to 2.5K and identifying people, familiar faces, pets, vehicles and packages. Footage lives in the owner’s iCloud+ plan rather than a separate camera subscription, with 10 days of event history, and eligible plans add Apple Intelligence clip summaries plus natural-language search across recordings. Onboard storage keeps the cameras capturing through Wi-Fi outages, while live snapshots in the Home app offer a quick glance without opening a full stream.

Each camera brings its own specialty to the lineup. The Video Doorbell runs two lenses, a 2.5K front camera for visitors and a full HD bottom camera for packages, along with a built-in spotlight and a chime that rings through HomeView, HomePod and HomePod mini. The Floodlight Cam pairs adaptive dual floodlights with low-light color night vision, the Outdoor Cam offers the same night vision in an easily angled, self-installed body, and the Indoor Cam physically tilts its lens down to stop monitoring the moment the first household member arrives home.

LG’s Smart Deadbolt Lock leans on Ultra Wideband to sense how close an iPhone or Apple Watch carrying a home key is, unlocking automatically on approach with no tap required. Backup entry options include tap-to-unlock, a built-in PIN pad and a concealed key slot, and the lock can detect whether the door is open, closed or being tampered with, flagging when it sits ajar even while bolted. Guest access can be issued directly from the Home app, and as a Matter-compatible lock with Aliro support, its core functions run locally without an internet connection. Paired with the Video Doorbell, it forms a front-door system that lets users see a visitor, talk to them and let them in from one screen or by asking Siri.

Climate control comes through two Smart Thermostats, one from LG Electronics and one from Schneider Electric, so homeowners can match their existing energy setup. Adaptive Temperature uses on-device intelligence from iPhone to adjust heating and cooling based on whether residents are home, asleep or away, while Clean Energy Guidance in the contiguous U.S. can shift usage to cleaner, cheaper periods for those on a compatible utility plan. Multi-room readings come from new standalone LG and Schneider Electric sensors or the sensors already inside HomeView, HomePod and HomePod mini, and both thermostats support Matter, a broad range of HVAC systems and on-device wire detection for DIY installation.

The payoff is in how the pieces talk to one another, with a single Siri-triggered “Good Morning” scene able to set the thermostat, tilt down an indoor camera and start music on HomePod at once. When the last person leaves, the home can drop into away mode by adjusting the temperature, locking the door and re-arming the cameras, then reverse the process ahead of their return. Footage and Home app data stay end-to-end encrypted and are processed on the owner’s own hub or through Private Cloud Compute, beyond the reach of LG Electronics, Schneider Electric or Apple. For those who would rather not install the hardware themselves, Apple Retail is adding third-party installation from ADT in the US starting this fall.

Apple Home Collection rolls out starting in December via Apple, the Apple Store app and Apple Store locations, with select accessories following in early 2027. The cameras launch in the US, Canada and the UK, while the lock, thermostats and sensors arrive in the US and Canada.

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Summary

Apple has introduced Apple HomeView an all-new smart display powered by Apple Intelligence and Siri AIThe device features a 7-inch Liquid Retina display facial recognition for up to six household members and custom-engineered computational audioBoth tabletop and wall-mounted editions retail for $299 USD with official retail availability starting November 13

Apple has officially introduced the Apple HomeView, an all-new smart display powered by Apple Intelligence and engineered to serve as the dedicated command center for modern households.

Encased in an aluminum chassis, the hub centers around a 7-inch Liquid Retina display mounted to a domed speaker base via a stainless steel hinge for fluid angle adjustment. The panel incorporates True Tone technology with brightness shifting dynamically from 500 nits down to 0.3 nits, while the interface adapts based on proximity—surfacing glanceable widgets from afar and deeper detail up close. Driven by the A18 chip, HomeView integrates facial recognition for up to six household members to present tailored Home Screens and secure access to personal data across Messages, Calendar, and Reminders via on-device Secure Exclaves.

Acoustically, the hardware features two custom full-range drivers for room-filling Spatial Audio, reinforced by a down-firing woofer and dual force-cancelling passive radiators. An upgraded Siri AI delivers conversational interactions and onscreen awareness using Private Cloud Compute. The dashboard also supports multi-camera streaming for up to nine live feeds, FaceTime with Center Stage, and integration with the new Apple Home Collection—developed alongside LG Electronics and Schneider Electric—as well as Matter-compatible accessories. A dedicated wall-mounted format is also offered, compatible with custom mounts from Schneider Home.

The Apple HomeView and Apple HomeView (Wall Mounted) are available for pre-order now starting at $299 USD, with official availability beginning November 13 via Apple and the Apple Store app.

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Technology company Even Realities has launched new sculptures around central London as part of its latest installation, “The Watchers.” Revealing the chilling reality of camera glasses, the installation takes shape with CCTV-mounted heads featuring camera lenses.

Despite being in the tech space, Even Realities has crafted digital glasses without cameras to fit naturally into human life without interfering with others in public. Its work has long been supported by ongoing data and medical professionals, so when new research from Focaldata came to light, stating that 81% of British people would support a ban on camera glasses, it delved deeper into the rising threats of the popular product.

In an open letter calling for tighter control of smart glasses, Founder and CEO Will Wang shared, “Smart glasses don’t need cameras now. While there are benefits in how they enable devices to collate visual context, the privacy trade-offs, for both the user and those around them, mean cameras should never have progressed past the blueprint without proper guardrails.”

Enhancing public awareness of camera glasses, "The Watchers" installation has been fitted on Berwick Street in London’s busy Soho area. Designed in collaboration with creative production studio The Robin Collective and special effects artist Will Harvey, each sculpture is made with 3D scanning, printing and live silicone castings for a hyper-realistic yet noticeably shocking appearance.

To continue highlighting the dangers of intrusive filming, the company releases a short film showcasing the sculptures in everyday locations like pubs and gyms. The video illustrates how camera glasses leave no public space untouched, advocating for long-term regulatory measures.

You can now watch the film in the gallery above. To find out more about the project, read the open letter online now.

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Summary

Beats and The Pokémon Company International have teamed up on a special-edition Pill speaker dressed in Pikachu’s electric yellow and a grayscale take on MimikyuA set of bespoke charms, interactive packaging and a color-matched lanyard round out the collectible designUnder the costume sits the standard Pill hardware, including USB-C lossless audio, up to 24 hours of playback and IP67 dust and water resistance

Beats has joined forces with The Pokémon Company International on the special-edition Pokémon x Beats Pill, a portable Bluetooth speaker built around two fan-favorite Pokémon. Pikachu and Mimikyu share the spotlight across the speaker’s grill and body, pairing a high-voltage color story with a moodier monochrome counterpart.

Both Pokémon appear on the speaker grill, with the front and back of the Pill split between two visual identities. Pikachu supplies the bright, unmistakable yellow, while Mimikyu is rendered in shades of gray, setting up a contrast between bold energy and quiet mystery. The duo is a fitting match, since Mimikyu is known in the games for disguising itself under a homemade Pikachu costume.

The accessories mark a first for the line. This is the debut of charms on a Beats Pill, and the special edition includes a bespoke set featuring a Poké Ball, the Beats “b” logo and lightning bolts that nod to Pikachu’s signature move set. The packaging gets its own interactive design treatment as well, giving collectors a reason to hold onto the box.

On the audio side, the Pill runs a custom acoustic system tuned for deep bass and sound big enough to fill a room. Plugging in via USB-C unlocks high-resolution lossless playback, and owners of two Pills can link them wirelessly in either Amplify Mode for more volume or Stereo Mode for left and right separation.

The speaker is built to travel, with up to 24 hours of battery life and an IP67 rating against dust and water that makes it safe for the gym, the beach or a backyard. A removable lanyard matched to the colorway and a soft-grip silicone back make it easy to carry, and the included USB-C cable lets the Pill double as a power bank for a compatible phone.

For Beats, the project is less about novelty and more about meeting an already devoted audience where it lives. “Pokémon Trainers are some of the most passionate in the world, and we saw an opportunity to channel that energy into something fun, unexpected, and created especially for fans,” said Beats CMO Chris Thorne in the announcement. The result treats a familiar speaker as a canvas for fandom, with every design choice tied back to the two characters on its face.

The special-edition Pokémon x Beats Pill launches October 15 via Apple and Target (online and select stores) in the US, via Apple and Argos (online and select stores) in the UK, and via Apple and Douyin in China.

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Summary

Apple captured a record 22% of the global smartphone market in the third quarter of 2026Worldwide smartphone shipments plummeted 20% year-over-year to hit a 14-year lowAn ongoing memory crisis and rising device prices forced brands to prioritize profit over sheer volume

Apple just carved out its largest third-quarter slice of the global smartphone market in history, defying a brutal industry-wide slump. According to a newly released report from Counterpoint Research, worldwide smartphone shipments plummeted 20% year-over-year during the third quarter of 2026. The severe double-digit drop pushed global shipments down to their absolute lowest third-quarter level in 14 years. While the report attributed the market decline to memory constraints and rising prices, it notably did not specify what that 20% decline translated to in absolute shipment numbers.

Despite the broader market slump, Apple managed to elevate its global smartphone shipment share past the 20% threshold for the very first time in any third quarter. The tech heavyweight ultimately shipped 22% of all smartphones during Q3 2026, marking a significant jump from the 18% share it held in Q3 2025. This record-setting share came even as the brand navigated its own volume declines, largely driven by the absence of a base iPhone 18 model. Without that entry-level flagship, Apple experienced a smaller launch-month channel fill compared to what the full iPhone 17 lineup achieved a year earlier. To offset that higher shipment decline, the company leaned heavily on sustained market momentum from the older iPhone 17 series. Top-tier iPhone 18 Pro models logged a stronger launch than their direct predecessors, generating particularly heavy traction across China and India.

Apple's historic surge rapidly closed the gap on Samsung, though the South Korean brand managed to maintain its first-place position in the global smartphone market with a 23% share. Other top five vendors took a noticeable hit during the quarter. Xiaomi secured third place with a 10% market share, followed closely by OPPO capturing a 9% shipment share. vivo rounded out the top five leaderboard by claiming an 8% share of shipments. Crucially, Xiaomi, OPPO and vivo all watched their shipment shares decline compared to their standing in Q3 2025.

Faced with crippling component constraints and rising costs, OEMs increasingly shifted their strategies to prioritize profitability over sheer shipment volumes. Apple itself joined this industry-wide shift toward price hikes, though the immediate impact on its numbers was limited to the final weeks of the quarter. With the smartphone industry enduring its second consecutive quarter taking the full brunt of a massive memory crisis, the landscape fundamentally shifted to squeeze out budget-conscious buyers. Price-sensitive consumer segments face ongoing pressure from higher device prices and limited component availability, delaying any meaningful market recovery until global supply conditions improve.

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Summary

STANITEMS introduced the Form Synthesizer, a physical instrument for digital 3D modeling.Utilizing knobs and faders, it replaces complex CAD commands with real-time tactile gestures.Currently generating vases, the prototype aims to expand into furniture and architectural design.

STANITEMS is rethinking the conventions of digital 3D modeling with the Form Synthesizer, a design project that replaces the familiar mouse-and-keyboard workflow with the immediacy of a physical instrument.

Conceived around the idea of “playing with form” in the same way a musician manipulates sound, the device translates hands-on gestures into changes to a digital object, turning modeling into a more tactile and fluid creative process. Instead of navigating layers of software menus, users interact through tangible, analog-style controls, shifting the focus from clicking commands toward continuous physical experimentation. The result sits somewhere between a design tool and an instrument, challenging the computer interfaces that have defined digital creation for decades.

That musical analogy also shapes the Form Synthesizer’s aesthetic and interaction philosophy. Physical knobs, faders and other direct controls give the device the character of hardware studio equipment, with each adjustment intended to manipulate digital geometry in real time. Compared with earlier iterations of the project, which explored different tangible interfaces including a linear fader, the current version develops those experiments into a more cohesive, dedicated system supported by custom electronics and software.

Its first application is deliberately focused: the present prototype generates vase forms, allowing variations to emerge through physical input rather than conventional CAD commands. This narrow starting point functions as a proof of concept for a much broader ambition, with STANITEMS envisioning the same interface eventually shaping furniture, objects, sculptures, jewelry and architectural elements.

For now, Form Synthesizer remains a developing design and research project rather than a commercially released product. For more information, head over to STANITEMS' official website.

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Summary

YASHICA’s new Crew compact pairs a retractable 6x optical zoom lens with a 3.0-inch screen that flips a full 180 degrees for selfies, vlogs and group shotsA removable 700mAh battery, USB-C charging and video capture up to 4K at 60fps make the 126 g camera a practical everyday carryBuilt around the idea that photography is a shared experience, the Crew taps into early-2000s compact camera nostalgia while offering a screen-free break from the smartphone

YASHICA has unveiled the Crew, a pocket-sized digital point-and-shoot that combines a 6x optical zoom with a 180-degree flip screen. Aimed at friend groups, travelers and first-time shooters, the camera is pitched as a dedicated alternative to the phone in your pocket, giving users real optical reach and an easy way to keep everyone in the shot.

The lens is the centerpiece of the build. Covering a 4.26mm to 25.56mm focal range with an aperture of F3.1 to F6.4, the 6x optical zoom extends from the body when the camera powers on and sinks fully back inside when it shuts off. A further 3x digital zoom stretches reach for distant subjects. With the lens stowed, the Crew measures 10 x 2.6 x 6cm, growing to 5.3cm deep once extended, and it weighs 126 g before the battery goes in.

Around back, a 3.0-inch 16:9 LCD swings a full 180 degrees to face forward, turning composition into a group activity. Users can prop the camera on a table, frame everyone from the front and fire off a shot without handing it to a stranger or stretching an arm out for a selfie. The same setup suits solo vloggers documenting travel diaries, creative projects or behind-the-scenes moments.

Inside sits a 13MP 1/3.06-inch sensor, with JPEG stills available at 13MP, 24MP or 36MP in either 4:3 or 16:9. Video records as MP4 at a native 2.7K by default, scaling up to 4K at 60fps or down to 1080p at 120fps for slow-motion clips. Shutter speeds run from 1/8000 sec to 1 sec, ISO tops out at 3200 with an auto option, and seven built-in filters are on hand for quick in-camera looks. Focus begins at roughly one meter.

For longer days out, the Crew runs on a removable 700mAh lithium-ion battery, so shooters can carry a spare and swap mid-outing rather than hunt for an outlet. Power and connectivity run through USB-C. Storage relies on a microSD card, which is sold separately, and YASHICA recommends a UHS-3 U3 card of at least 32GB for video recording.

The camera’s name reflects the thinking behind it. YASHICA draws on the dynamic of work crews, production teams and tight friend groups, framing the Crew as a piece of shared gear rather than a solitary gadget. Free of notifications and feeds, it positions itself as a way to slow down and pay closer attention, a feeling the brand ties directly to carrying a compact camera in the late 1990s and early 2000s. Its point-and-shoot simplicity also makes it an accessible starting point for students and young creators curious about composition and light.

That nostalgia carries real weight for a label founded in Nagano, Japan, in 1949. YASHICA still produces analog tools such as the MF-1 Snapshot Art Camera and single-use film cameras, while its City and FX-D digital lines bring vintage styling to modern formats, alongside crossover cameras with partners including Sanrio and Peanuts. The brand’s film-era compacts, especially the T4, became cult objects for a new generation of shooters in recent years. The Crew nods to that lineage through its two finishes: a pared-back Black version with a contemporary edge, and a Silver version modeled on the look of YASHICA’s classic cameras.

Pre-orders for the YASHICA Crew are open now, with shipping expected to begin in late October 2026.

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Summary

CMF debuts its first portable speakers with the Speaker S and Speaker M.Both models feature modular designs, swappable panels, Stereo Mode and Auracast-powered Party Mode.Prices start at $59 USD, with sales beginning today.

CMF by Nothing is expanding into portable audio for the first time with the Speaker S and Speaker M, a two-model lineup that carries the brand’s geometric, modular design language into a new category.

The pair establishes the foundation of its audio range with two scales of the same visual idea: Speaker S is a compact, upright model designed to slip into a bag or clip onto a strap or carabiner, while Speaker M enlarges the format into a more substantial desktop or room speaker with an integrated handle. Both are offered in White, Dark Grey, Orange and Turquoise, with CMF’s characteristically playful use of color amplified by swappable front panels and control knobs. Standardized 3D-printable component designs also let users create their own replacements or visual variations, extending the customization approach seen across CMF’s broader product philosophy.

The two speakers are differentiated less by styling than by scale and output. Speaker S uses a single 45 mm full-range driver with dual passive radiators for a lighter, more portable setup, while Speaker M steps up to a dual-driver architecture with a dedicated woofer and tweeter for greater separation, deeper bass and a fuller room-filling sound. Both incorporate Adaptive Tuning, which continuously adjusts playback and EQ at the hardware level, alongside Ultra Bass, Wide Soundstage and four selectable EQ presets through the Nothing X app. For multi-speaker setups, two matching units can be paired into true left-and-right Stereo Mode, while Auracast-powered Party Mode can synchronize playback across multiple compatible speakers, including supported models from other brands.

Despite the more expressive styling, CMF has kept the interaction deliberately straightforward. A tactile knob handles playback, track navigation, volume and Ultra Bass, while dedicated controls cover power, Bluetooth pairing and Auracast. Connectivity includes Bluetooth 6.0, NFC tap-to-pair, Google Fast Pair, Microsoft Swift Pair and USB-C audio, while both models carry an IP68 rating and offer up to 18 hours of playback at 50% volume with Ultra Bass enabled. The CMF Speaker S is priced at $59 USD, while the larger Speaker M retails for $109 USD. Both models launch on October 12, 2026 through Nothing’s website and select retail partners.

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Summary

Trettitre’s Retro system combines vinyl, CD and cassette players on a magnetic wall rack.Each player blends nostalgic physical controls with modern Bluetooth connectivity.The $529 USD system follows a Kickstarter campaign backed by over 5,300 supporters.

Trettitre is bringing physical music formats back into view with its new Retro Wall-Mounted Ambient Audio System, a modular setup that turns vinyl, CDs and cassettes into part of the room rather than equipment to be hidden away.

Built around the idea that each generation formed a different relationship with recorded music, the system brings together the TTT-LP3 vinyl player, TTT-DP3 CD player and TTT-CP3 cassette player alongside a dedicated smartphone slot for streaming. All three players attach magnetically to the TTT-W wall rack, creating a clean, gallery-like composition that spans several decades of listening culture.

Each component interprets its respective format through a different retro-futurist lens while sharing a common mix of geometric forms, plastic and metal construction. The LP3 can be mounted vertically or horizontally, pairing an Audio-Technica cartridge with a self-balancing tonearm that automatically manages tracking pressure, while a diffused rear light panel allows the player to double as ambient illumination. Its wireless charging connection with the rack also keeps visible cabling to a minimum.

The circular DP3, meanwhile, takes inspiration from the UFO imagery associated with 1990s and early-2000s pop culture, using a transparent magnetic cover to keep the spinning disc visible alongside raised tactile controls and a compact OLED screen. The CP3 takes a more utilitarian route, retaining the chunky mechanical buttons associated with traditional cassette players while adding Bluetooth connectivity. All three units are battery-powered and can be removed from the rack for use elsewhere in the room, extending the system beyond its wall-mounted presentation.

The project also reflects a broader shift in Trettitre’s design language from simply referencing vintage audio equipment to rethinking how those formats can function within contemporary interiors. Wireless connectivity sits alongside deliberately analog interactions - lowering a stylus, inserting a disc or physically pressing a cassette key - allowing the system to retain the rituals associated with each medium without recreating vintage hardware wholesale.

Following a Kickstarter campaign that drew more than 5,300 supporters and over $2.2 million USD in pledges, Trettitre has now begun shipping the system to backers. The complete Retro Wall-Mounted Ambient Audio System, comprising the vinyl, CD and cassette players with the modular wall rack, is also available through Trettitre for $529 USD.

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Summary

Google Japan unveiled a conceptual conveyor belt keyboard mimicking a factory production lineThe joke prototype promotes the Gboard Android app and claims to reduce typing fatigueBlueprints, firmware and circuit diagrams are available as an open-source GitHub project

Google Japan unveiled an unorthodox hardware concept, introducing the Gboard conveyor belt keyboard. Designed to operate like a localized factory production line right on a desk, the device reimagines traditional typing mechanics. Aesthetically, the sprawling peripheral resembles a hybrid between a standard office keyboard and a miniature fitness treadmill. According to an automated translation of the official Japanese press release, the rotating mechanism of the conveyor belt continuously loops so that the physical keys flow directly into the user's resting hand.

A project blog post detailing the launch claims that this conveyor belt keyboard is designed for one-handed use. Rather than forcing the typist to stretch across a static board, Google claims that the design cuts down on typing fatigue. By relying on the motorized belt, the hardware allows users to wait for the correct keys to arrive directly under their fingertips rather than manually moving their hands to hunt them down.

The stunt operates as an elaborate promotional joke intended to draw viral attention to Google's Gboard keyboard app for Android. Its release continues an annual Google Japan tradition of creating highly unusual, heavily engineered keyboard prototypes to hype the software.

Unsurprisingly, the conveyor belt keyboard is not available for purchase as a mass-market commercial product. However, for those looking to manifest the joke in the physical world, Google made the blueprints for the keyboard available as a DIY project hosted on GitHub. The open-source GitHub repository containing all project files is named mozc-devices. To ensure that anyone can construct the peripheral, the GitHub release includes all circuit diagrams required to build the DIY keyboard from scratch. Furthermore, the repository provides the proprietary firmware source code required to run and operate the device. To keep everything accessible to the public, all DIY keyboard files and software are distributed on GitHub under an Apache-2.0 license.

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Summary

Apple will host a special hardware event on October 13 to reveal a massive wave of smart home technologyThe Tribeca-based press session is expected to unveil a rumored "HomePad" alongside core device updatesA suite of co-developed LG home accessories is slated to debut on the exact same day

Apple officially set the stage for its next major hardware rollout, locking in Tuesday, October 13, for a highly anticipated special event. Operating under the official tagline "Welcome home," the Cupertino tech giant prepares to completely overhaul its domestic tech offerings. The digital paper trail started on October 8, when Apple’s SVP of Worldwide Marketing, Greg Joswiak, took to X at exactly 4:00 PM to drop a teaser video for the announcement. Shortly after, the hype cycle accelerated when prominent tech reviewer Marques Brownlee shared an image of the official press invitation on the same platform, confirming that a major smart home showcase was imminent.

Instead of relying strictly on a standard digital keynote format, the company brings a localized, physical approach to this launch. Apple dispatched press invitations for an exclusive, hands-on session aptly titled the "Apple Experience." This curated physical event takes place in Tribeca, New York, kicking off promptly at 9:00 a.m. ET. While the localized press briefing is locked in for attendees, the broader global viewing format remains unconfirmed. Online viewers face uncertainty because Apple has not specified whether a full-length introduction video will stream alongside the physical Tribeca gathering, leaving fans guessing about how initial product reveals will reach the public.

The overarching "Welcome home" theme provides the clearest indication yet that Apple is staging a massive, coordinated expansion of its smart home ecosystem, stepping far beyond mere iterative updates following weeks of intense industry rumors. Anticipated hardware announcements anchor the entire event, with the brand launching several new products simultaneously. Industry expectations point toward the reveal of a modernized Apple TV 4K alongside a next-generation HomePod mini 2. However, the most culturally significant drop could be a brand-new device currently referred to in circles as a "HomePad," which introduces an entirely new form factor to the brand's premium lineup.

This aggressive push into residential tech extends beyond Apple's in-house silicon and traditional product categories. The company reportedly plans to unveil a dedicated lineup of smart home accessories co-developed directly with LG. This collaborative hardware suite includes foundational home security and climate staples, specifically a smart doorbell, a high-tech lock and an integrated thermostat. Current expectations suggest that all of Apple's new Home products will debut on the exact same day, signaling a unified strategy to dominate the modern household.

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As someone who has traveled with both the CMF Headphone Pro and Headphone (a), there was an immediate sense of an upgrade when I first put on Nothing’s new Headphone (1) Pro. The materials are noticeably more premium - the titanium, in particular, feels genuinely lush - but what surprised me most was the weight. At 327 grams, it feels much closer to the Headphone (a) than I expected, despite all the additional hardware and metalwork. That matters to me because weight was one of the reasons I never pulled the trigger on the original Headphone (1).

I remember when it launched last summer and immediately being drawn to its retro, almost Braun-esque aesthetic, but after trying it on, I found it just a little heavier than I would have liked. Living in a subtropical climate didn’t help either: over-ear headphones are usually something I reserve for traveling or the cooler fall and winter months, when wearing them doesn’t mean immediately breaking into a sweat. So, despite thinking about the Headphone (1) for months, I held off.

Then, in late September, I was gifted the CMF Headphone Pro and took it on a proper road test during a trip to Japan. For its price, it genuinely impressed me. The sound was solid, the battery life was excellent and its own take on retro design gave it plenty of personality, even if it looked very different from the Headphone (1). I also loved being able to buy replacement cushions in different colors. Beyond the customization, there was something reassuring about knowing that one of the parts most exposed to wear and tear could easily be replaced. I enjoyed the CMF pair enough that it became my go-to travel headphone, although I never quite got used to how far the earcups protruded. I have, embarrassingly, grazed them against elevator doors more than once.

That changed again when Nothing introduced the Headphone (a) earlier this year. I first tried it at an event in the spring and was pretty much sold immediately. It retained much of the visual character that made the Headphone (1) attractive to me, but the lighter construction and flatter profile suited my head much better. The four color options - Black, White, Pink and Yellow - also scratched the same personalization itch that I liked about the CMF model. I eventually bought the pink pair, and it quickly became my favorite of the three. Sound quality was at least on par with the CMF Headphone Pro, if not slightly better to my ears, but comfort was really what won me over. The slimmer earcups also meant I could walk into elevators with a little more confidence.

Then, at the end of last month, Nothing surprised me again with its new flagship, the Headphone (1) Pro. This one feels like a much more substantial upgrade. At $399 USD, it sits $100 above the Headphone (1)’s original $299 USD price, but the additional cost is reflected in both the build and, more importantly, what is happening inside the earcups. Instead of a single main driver to cover most of the audible spectrum, the Pro uses a three-driver architecture comprising a 40 mm dynamic bass driver, a separate precision dynamic driver for the mids and an xMEMS driver dedicated to the upper frequencies. This makes the Pro model able to cover a 20 Hz to 40 kHz range, with each driver handling a more focused portion of the spectrum. In practice, the difference is more about separation and texture than simply making everything louder: bass feels more controlled, vocals sit more clearly in the mix and finer details in instruments come through with more definition.

The ANC is another area where I noticed the Pro pulling ahead. Nothing has built a 10-microphone system into the headphones, with five microphones on each side feeding its real-time adaptive ANC. It automatically moves between Low, Medium and High levels depending on the environment, with claimed noise reduction of up to 46 dB. Nothing also says average noise reduction is 5 dB stronger than on the Headphone (1), while cancellation operates across a 40% broader frequency range. For me, that difference is particularly noticeable in the sort of environments where I actually use over-ear headphones - planes, trains and offices - where the Pro does a noticeably better job of pushing background noise further away from the music.

The collaboration with Metropolis Studios is where things become a little more interesting. One of my favorite additions is the physical Flat EQ switch. Unlike a typical EQ preset designed to make bass hit harder or vocals brighter, Flat EQ strips away additional coloration and processing to give the music a more neutral presentation. It's primarily intended for things like reviewing tracks and comparing mixes, where hearing the recording without extra sonic flavoring is more useful than having a particularly exciting tuning. I actually enjoy using it in the office for that reason: the ANC takes care of much of the external noise, while Flat EQ lets me focus on the recording itself. It's also worth noting that engaging Flat EQ disables Transparency Mode, Spatial Audio and other EQ settings, so it really is designed as a separate, more focused listening mode rather than another preset.

When I want something more immersive, though, I go in the opposite direction. The Nothing X app gives the Headphone (1) Pro a much deeper level of EQ customization, while Dynamic Spatial Audio and head tracking can reshape the sense of space around a recording. There are different environments tailored towards different kinds of music, including Live House, Concert Hall and Metropolis’ own Studio B-inspired setting. With a good live concert recording, that combination can be surprisingly effective. It obviously cannot recreate actually being there, but adjusting the spatial presentation and EQ can bring back some of that sense of scale and atmosphere that gets flattened through conventional headphones.

Battery life, interestingly, is one area where the Pro isn’t necessarily an upgrade. Nothing rates it for up to 68 hours of playback with ANC switched off and 30 hours with ANC on, with a five-minute charge supplying around four hours without ANC or two hours with it enabled. That is less than the Headphone (1), which is rated for up to 80 hours without ANC and 35 hours with it, and considerably behind the CMF Headphone Pro's 100/50-hour figures and the Headphone (a)’s massive 135/75-hour ratings under comparable AAC testing. Real-world mileage will obviously depend on volume, codec and how aggressively ANC is being used, but it does mean that anyone prioritizing outright endurance may still find the Headphone (a) or CMF model more practical. Personally, 30 hours with ANC is still comfortably enough for the way I travel, but it is worth acknowledging that the Pro’s flagship status does not translate into flagship battery life.

Another thing I have to talk about is the carrying case. The CMF Headphone Pro comes with a simple suede-like drawcord pouch, while the Headphone (a) uses a plastic-coated, paper-like pouch with a polyester lining and two compartments. The latter definitely feels less premium, but I have actually found it surprisingly useful when traveling — particularly on flights, when the extra compartment becomes somewhere to throw my passport and charging cables.

The Headphone (1) Pro’s case wins on design for me, though. It's a proper hardshell design lined with soft TPU, with integrated loops for attaching straps, charms or keychains. Yes, it's heavier and bulkier, and its design technically concentrates protection around the earcups while leaving the headband exposed, but visually it turns storing the headphones into part of the experience. I have seen the Headphone (1)’s black zip-up hard case, and while it is undoubtedly practical, it's not something I would particularly want taking up space inside my bag. The (Pro)’s case feels more sculptural - almost like a retro portable console - and I actually like its slightly handbag-like approach. Some people may find carrying it that way awkward, but being able to hook the headphones onto a bag handle or simply prop the whole thing neatly on my desk works for me.

Ultimately, that also sums up how I feel about the Headphone (1) Pro. The Headphone (a) is still the one I would choose if lightness, battery life and everyday practicality were the priorities, and the CMF Headphone Pro remains difficult to fault for the money. But the Pro is the first Nothing over-ear model I have tried that feels like it's actively chasing a more serious listening experience without sacrificing its distinct design language that made me interested in the lineup in the first place. Its stronger ANC, more sophisticated three-driver setup, Flat EQ and deeper spatial and EQ controls make the upgrade easy to hear — even if, somewhat ironically, it is the battery rather than the sound that now requires the bigger compromise.

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