The cheerful runway included live versions of Bill Withers’ “Lovely Day,” Neil Diamond’s “Sweet Caroline,” and Four Tops’ “Can’t Help My Self.”
Debuting another Reebok collaboration on the runway, featuring enlarged red tracksuits, training-inspired Blacktop kicks, and BB4000s with exposed sponge cushioning.
Featuring patchwork denim tuxedos with a hint of punk.
“I wanted to bring people together with an idea of joy and easy elegance. It’s not about fashion; it’s about attitude, it’s about who you are, how confident you are, how beautiful you want to look.”
Featuring oversized blazers with big lapels, wide collars and flared pants.
Titled “Up, Up and Away,” the brand continues to find the beauty in movement.
Titled “Hollywood,” the unifying showcase painted an homage to all the “weirdos and freaks” on the LA boulevard where Owens discovered himself.
The magazine-turned-fashion label progressed onto stable ground for its first runway on the official Paris Fashion Week schedule, delivering club-ready uniforms that transition from day to night.
The young designer continues to evolve under the spotlight, exploring the great outdoors with an adventurous line that makes fashion its prey.
See-sawing between cute and rebellious.
Channeling various eras of cinematic characters in their voluminous silhouettes.
WVB welcomes the audience to his own circus.
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