hypebeast magazine issue 37
For more than a decade, Amsterdam-based designer Camiel Fortgens has built “perfectly imperfect” garments that embrace irregularity, visible handwork, and controlled idiosyncrasy.
The artist has built one of the most recognizable airbrush aesthetics in the game — with a compressor in hand, sumi ink in his roots, and rap and fashion’s upper echelons knocking at his door.
Celebrating Don Toliver’s cover story for Hypebeast Magazine Issue 37, we’re hosting a one-day-only pop-up in New York City.
Ryo Miyoshi’s brand everyone may look like a minimalist clothing label, but behind the garments is a slow-built world shaped by small shops, shared taste, and the lost art of putting people on.
Thai jewelry outfit Patcharavipa is crafting one-of-one watches at the speed of art.
The trash-talking, horned-up world of Aurel Schmidt is as interesting as her inimitable illustration practice. After almost two decades of success outside the institutional gallery system, she’s still got more to say.
With “Piss in the Wind,” Joji builds a 21-track world that keeps the spotlight on the songs and off the man behind them.
Hypebeast Magazine transforms Stone Island’s New York City flagship into a temporary gallery for the launch of its latest print.
Presented by
Stone Island
LA’s diverse landscapes formed the backdrop of Stone Island’s continued fabric and color experimentation.
When musicians started seeking out his father’s furniture, Benjamin Paulin took note. The result is Sounds Like Paulin — a studio, a label, and a community built inside his Paris family home.
With over 1 billion streams and a Gold certification to its name, ‘Octane’ just may be Don Toliver’s magnum opus. Here’s how the instant classic LP was made.
Look inside our Spring/Summer 2026 issue, highlighting exclusive covers, the talent lineup, and how to get your hands on a copy.
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