Filmmaking artifacts including an early ‘Twin Peaks’ script and a personal 35mm copy of ‘Eraserhead,’ are joined by miscellaneous items like designer furniture from his home, merchandise from his films, signed artwork from his collection, and used coffee machines.
With a cast of recognizable faces from actress Julianne Moore to Stray Kids singer I.N and other global creatives, the pared-back campaign highlights the Italian luxury label’s legacy of handmade craftsmanship.
In addition to high performance KODENSHI fiber technology, the collection’s Manila hemp fabrics offer a cool and dry hand for humid days ahead.
Inspired by the U.S. Army M.A.L.I.C.E (Modified All-Purpose Lightweight Individual Carrying Equipment) system, the technically advanced sandals come with a detachable crossbody strap and a double carabiner.
“An organic form for surreal living,” the cartoon-like chair is offered in white, black, blue, green, red, and yellow, as well as steel and cloth fabrications.
The Vancouver-based brand and the Japanese manufacturer bring GORE-TEX leather uppers, Vibram MegaGrip outsoles, and a Goodyear welt construction together for a durable pair that can be worn year-round.
Along with elevated updates to the Superstar Hi and the Adilette sandal, the WB Karintha debuts in brown suede and sequin, complementing a capsule of co-branded essentials.
Luca Cipelletti of AR.CH.IT reimagined the 700sq ft space at the Palazzo dell Arte with a sophisticated soundwall, built with the help of hi-fi expert Giorgio Di Salvo, acoustic engineer Lucio Visentini, and acoustic panel manufacturer Knauf.
Along with EGONLAB, the two labels are the only menswear brands among the finalists of the prestigious Parisian fashion awards’ 2025 Grand and Special Prizes.
The rare and collectible furniture dealer tapped Gantri to develop a lamp featuring a precision-made cubic light unit and genuine USM hardware.
A May 21 decision from the the U.S. Court of Appeals for the Federal Circuit affirmed the U.S. Patent and Trademark Office’s refusal to grant the trademark, which was presented in 2020.
Designed by architect Michael Hansmeyer and ETH Professor Benjamin Dillenburger, the project employed robots that apply concrete layer by layers without any casting molds.