The musician’s Brooklyn Paramount show proved both his ability to rile up a room – with Knicks clips on the soundboard and minute-long jam sessions – and, more of a rarity, his spellbinding manner of commanding a pure, palpable silence.
fakemink meets Geese; Kenny Beats becomes Kenneth Blume; and Uzi goes indie.
Don’t overthink it … the “Kenneth Blume” era is actually a good thing, evolution-ally speaking.
Pushing their decade-long “performance-rooted” partnership to the next level with the Px8 S2 McLaren Edition wireless headphones.
Once again aligning itself with victory, revving up its Formula 1 partnership with this year’s bespoke Louis Vuitton Trophy Trunk.
Exclusive conversations with Billie Eilish and Odeal, new music from Kenny Mason, and a new color from Bon Iver (yes, you’re reading that right)…
‘The Summer That Saved Me”s somber successor marks a true cold-weather catharsis; the musician shares more about moving between seasons, feelings, and EPs.
The multihyphenate musician shares more on her unwavering obsession with smell, her first signature scent, finding creative inspiration in androgyny, and how her role in fragrance directly bleeds into her sonic world.
How the rising star went from rapping about high fashion to becoming one of the fresh new faces at its forefront.
Presenting six collaborative pieces in the A.G. Cook-fronted chapter of “Community as a Form of Research.”
Charli XCX’s Substack, a possible Choker resurgence, and new Jean Dawson music.
On ‘Quaranta’’s successor ‘Stardust’, a fully sober Brown shines as he hones his high-octane hyperpop potential, with the help of the genre’s new guard – Jane Remover, Frost Children, underscores, and more.
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