A Conversation with Sweater Beats

For the past few years, Sweater Beats — real name Antonio Cuna — has been exploring and synthesizing electronic, pop and R&B music in a way that transcends “trap” trends and blog buzz. His selection of synths feel perfectly placed, his pick of percussion always seamlessly blends in. His production ranges from artfully narcotic original pieces to euphoric remixes absorbed by sweeping, stadium-sized melodies. But, whether it’s his own world he’s working in or someone else’s original he’s tweaking, everything feels like it comes with a purpose and always meant to be tasteful. On the heels of some incredible remixes, mixes, and collaborations, we caught up with the New York beat-weaver to talk music, his goals, collaborations and having a spot on a Kanye record. Check out our conversation with Sweater Beats below.

 

You’ve released your That Feel EP last year. How do you evaluate the feedback it has received and how has it changed your career?

That Feel was definitely different from what I’ve put out before, and I think people got a better idea of what I can do as a producer. My mom really liked the EP too, and when it gets the mom seal-of-approval I’m a happy camper.

What project is next on your agenda? What can you tell us about it?

Right now I’m finishing up my EP for HW&W called Cloud City. It’s a lot more synth driven and high energy compared to That Feel. I’ve also got remixes for Flume & Chet Faker, and Kastle coming out very soon.

What are your goals regarding your music career?

To be in the liner notes on a Kanye album. And just to keep making dope music with dope people.

What’s your favorite release (from another aritst) this year and why?

“Money” by Lido is definitely up there among my favorites of this year. Such top notch production, gave me goosebumps when I first heard it.

Do you prefer performing in small, intimate venues or more stadium-like locations?

I think my music is more appropriate in an intimate setting, you get the whole experience that way. Bump n’ grind levels are at 100.

How does one survive in the music industry these days?

Honestly, I’m going at this step by step and learning from mistakes, it’s all new to me. I’d say having good people helping you with the day to day is tremendous and lets you focus on your craft. It’s really really hard to do everything by yourself, so surround yourself with good people.

What can you say to young and aspiring beat makers? Any advice?

Make music everyday and make music that makes you happy. And the internet is a great thing, its really helped me spread my music and connect with the right people. Keep putting your music out in the ether and people will follow.

Any dream collaborations?

Timbaland definitely, but really I just want him to be my sensei. Also Banks, because I think we’d be on the same wavelength.