In our cover story from Issue 38 of Hypebeast Magazine, Xaviersobased opens up about protecting his independence, taking underground rap mainstream, and why caring about people matters more than playing the part.
To mark his cover story for Hypebeast Magazine Issue #38: The Juice Issue, the ‘BLEACH’ creator puts his art on a two-piece capsule that won’t be around for long.
Over a decade after the manga and anime’s conclusion, “BLEACH” remains a global pop culture touchstone. For our cover story of Hypebeast Magazine Issue #38, we spoke to its creator, Tite Kubo, about what it takes to create one of the most successful series of all time.
Five decades into his career, Yohji Yamamoto still isn’t interested in looking back. In our cover story from Hypebeast Magazine Issue #38, the designer sit for a rare interview about the work ethic that keeps him going, the challenges the next generation of designers will face, and how he still starts every collection from zero.
Featuring cover stars Xaviersobased, Yohji Yamamoto, and ‘BLEACH’ creator Tite Kubo, our fall/winter print issue is now available to order on HBX.com, shipping worldwide.
In this digital cover story, we set out to glimpse the inner world that lies beneath her images and symbols.
With her new solo album ‘Beard’ and a massive return underway for her band The Internet, Syd discusses finding both her voice and total creative freedom in our latest Digital Cover.
Six New York creatives style up for the World Cup — and talk heritage, craft, and fandom — as Hypebeast Cup takes over SoHo.
BELOWGROUND turns transit energy into modular community. The team behind its redesign breaks down the refined, street-conscious space made for convergence-with-purpose.
On the brink of her second album, UK experimental rapper and producer John Glacier meditates on joy as resistance and why culture is the one thing you can’t kill. Read our Digital Cover on the artist quietly becoming one of music’s most essential voices.
Tokyo artist Tomihiro Kono treats human hair as a medium of transformation, crafting “Space Creatures” that suggest tentacles, feathers, and deep-sea organisms. Some are so strange they confuse facial recognition software.
The Tokyo label is celebrating 20 years of blurring the line between fashion and art.