KISS x Albino & Preto Outfit the Gym Floor in "Destroyer"-Era Arena Rock Across Gis, Gloves, and Graphic T-Shirts

Albino & Preto and KISS have released a collaborative capsule channeling the band’s “Destroyer” era into a full range of combat-sports and lifestyle pieces.

The collection pulls from a specific moment in KISS’s visual history. Destroyer, released in 1976, was the album that cemented the band’s transition from club-circuit rock act to full-scale arena spectacle. The cover artwork, painted by Ken Kelly, depicted the four band members as towering figures standing amid the rubble of a destroyed cityscape, an image that became one of the most reproduced and referenced visuals in rock history. More than the music, it was the Destroyer era’s visual identity, the face paint, the pyrotechnics, the merchandise machine, that turned KISS into a cultural phenomenon operating at the intersection of performance and branding decades before that crossover became standard practice. It is that visual language, not a generic KISS licensing play, that Albino & Preto has drawn from across this capsule.

A&P, for its part, has spent years building a position as the label that takes combat sports seriously as a design category. Founded in San Diego and rooted in Brazilian jiu-jitsu culture, the brand has become known for producing gis, nogi gear, and training equipment with the same level of graphic and material attention that streetwear labels bring to apparel. Previous collaborations have spanned sneaker brands, anime properties, and lifestyle labels, but the connective thread has always been the same: A&P treats the gym as a legitimate cultural space and the gear worn inside it as worthy of the same design ambition applied to anything worn outside it.

The product range reflects that dual commitment. Jiu-jitsu gis and nogi kits form the core of the combat-sports offering, built for training and competition with Destroyer-era motifs integrated into the construction. Muay Thai shorts extend the collection into striking disciplines, while 14-ounce boxing gloves bring the collaboration to the heavy bag. Each piece carries distressed finishes and tour-inspired artwork designed to evoke the worn-in texture of vintage concert merchandise, the kind of faded, cracked-print quality that comes from a shirt that has actually survived a tour cycle rather than one manufactured to look like it has. The balance the collection strikes is between that vintage graphic sensibility and the functional durability required of gear that will be grappled in, struck in, and washed repeatedly.

Vintage-inspired graphic tees round out the capsule on the lifestyle side, extending the Destroyer artwork into pieces that operate outside the training context. These carry the same distressed treatment and album-era visual references as the performance pieces, maintaining a consistent design register across the full range.

What makes the pairing legible rather than arbitrary is a shared vocabulary that both KISS and combat sports understand: performance as spectacle, discipline as identity, and the body as the medium through which both are expressed. KISS built an empire on the idea that stepping onto a stage was an act of transformation, that the face paint and the pyrotechnics were not costumes but extensions of a performed self. Combat sports carry a parallel logic, where the gi, the gloves, and the ring become the framework for a physical expression that is equal parts discipline and theatre. The A&P x KISS capsule sits at that overlap, dressing one performance culture in the visual language of another.

The KISS x Albino & Preto “Destroyer” collection is available now via A&P online.