In the late architect Auguste Perret’s wooden apartment, designer Simon Porte Jacquemus debuted a ’50s-inspired line that was all about stripping, paring and throwing it back.
In Paris, the London-based Bulgarian designer swapped out his clean cuts for somethings more organic, including asymmetrical tailoring, illusory composite silhouettes, head-turning leather belts and an all-new ASICS collab.
In Paris, the London designer had vintage Jamaican dance sequences, artist Steven Parrino’s slashed paintings and photographer Robert Longo’s “Men in the Cities” series tacked on her moodboard.
At Fondazione Prada on Sunday, a towering pipe structure became the breeding ground for Miuccia Prada and Raf Simons’ newest menswear manifesto: a commentary on the human element behind getting dressed.