ACRONYM x ALIVEFORM’s “THE BLADE” Is a 3D-Printed Shoe Inspired by a 1995 Kung Fu Film
The open lattice breathes like bare skin while the blade silhouette cuts like nothing else.
Name: ACRONYM x Alivefoam “THE BLADE”
Colorway: TBC
SKU: TBC
MSRP: ¥44,000 JPY (approx. $275 USD), ¥49,280 JPY (approx. 310 USD), ¥52,800 JPY (approx. $330 USD)
Release Date: May 23
Where to Buy: ALIVEFORM
ALIVEFORM and ACRONYM are officially set to release THE BLADE on May 23, a 3D-printed shoe built around a blade-like silhouette and an open lattice structure that creates airflow across the entire foot.
The conceptual starting point is Tsui Hark’s 1995 wuxia film “The Blade,” a movie defined by its raw physicality and its central idea that adaptation and change within imperfection are sources of strength rather than weakness. That framework maps cleanly onto what ALIVEFORM and ACRONYM are doing with the shoe’s construction: the lattice structure is not a finished, sealed surface but an open system, one that responds to the foot underneath it and moves with it rather than containing it. The barefoot-like wearing comfort the brand describes is a direct product of that openness — air circulates freely, cushioning and flexibility are built into the lattice geometry itself, and the result is a shoe that reads architecturally rigid while functioning with a naturalness that more conventional constructions rarely achieve.
The silhouette takes the film’s title literally. A blade-like sharpness defines the profile, with the 3D-printed material allowing for a precision of form that traditional manufacturing cannot replicate at this scale. The four colorways express different registers of that construction: “Charcoal” at ¥44,000 JPY (approx. $275 USD) is the most restrained entry point; “Ghost Glass” and “Nickel” at ¥49,280 JPY (approx. 310 USD) and ¥52,800 JPY (approx. $330 USD) respectively bring a metallic quality that reflects the lattice’s geometry; and “Wasp Tech” at ¥52,800 JPY (approx. $330 USD) introduces a fluorescent green that makes the structure’s complexity impossible to ignore.
ACRONYM’s involvement is the signal that elevates this beyond a technically interesting footwear experiment. Errolson Hugh’s label has spent over two decades building a design philosophy around the idea of garments and products as genuine extensions of the body, a position that aligns directly with ALIVEFORM’s manufacturing approach. When two brands with that level of conceptual coherence collaborate, the result tends to be a product that holds up to the scrutiny the price point demands.



















