Maison Mihara Yasuhiro FW26 Finds Clarity in “Eternal Now”
Garments evoke fragility and resilience through intentional distortion and irregularity.
Summary
- Maison Mihara Yasuhiro FW26 “Eternal Now” explores aging, memory and blurred perception through poetic inspiration
- Misalignment and dissonance define the silhouettes, with oversized outerwear and reconstructed knitwear evoking surreal distortion
- A theme of eternal stillness contrasts with forward motion, reflecting fragility, resilience and hope
Revealed at Paris Fashion Week, Maison Mihara Yasuhiro’s Fall/Winter 2026 collection, titled “ETERNAL NOW,” presents a deeply introspective vision of time, memory and perception through sartorial codes. Drawing inspiration from the designer’s personal reflections on aging and a dream-like encounter on a train, the collection explores the moment when the world loses its sharp contours and begins to “softly melt away.” This sense of displacement – captured in Mihara’s poetic notes about missing a station in the haze – serves as the emotional anchor for the season, framing fashion as a vessel for fragments of memory that remain vivid even as sight and surroundings blur.
The aesthetic translation of this theme manifests through a masterful use of “misalignment and dissonance.” The collection features garments that appear distorted or slightly off-kilter, mirroring the physical sensation of a world losing its edges. Key pieces include oversized outerwear and knitwear that utilize Mihara’s signature reconstruction techniques to create silhouettes that look both familiar and surreal. By fusing disparate elements and intentional structural errors, the designs reflect a “gentle strength” found in daily objects, reimagined through a lens of aging where objects become blurred yet stay etched in the mind as enduring fragments.
A sense of “eternal stillness” permeates the lineup, contrasting with the relentless forward motion of the train mentioned in the show’s inspiration. The textiles and tailoring evoke a feeling of still water in a tank, where anxiety and loneliness are present but stabilized. This structural approach suggests a surrender to the unknown, where the destination is no longer the concern, and the act of moving forward in an “unseen place” becomes the ultimate form of hope. By embracing misalignment and irregularity, Mihara Yasuhiro offered a wardrobe that mirrored the human experience of aging and memory — fragile yet resilient, blurred yet vivid.
