Beats Beats BEATS!!!!

March 11, 2012 @ 03:25:12
http://soundcloud.com/faceclef/the-night

Brand New new!
March 11, 2012 @ 03:48:59
http://soundcloud.com/faceclef/the-night

Brand New new!


Damn real smooth
March 11, 2012 @ 07:24:56
http://soundcloud.com/faceclef/the-night

Brand New new!


Damn real smooth


word. i flux with that.
March 11, 2012 @ 12:32:55
Gilly Suits
http://soundcloud.com/faceclef/the-night

Brand New new!


Damn real smooth


word. i flux with that.


I love how you can see the exact chops in the wav form LOLz. Smooth homie
March 11, 2012 @ 15:19:39
http://soundcloud.com/faceclef/the-night

Brand New new!

ill dude. drums are real nice
March 11, 2012 @ 17:25:21
http://soundcloud.com/thefaded/untitled-03-10-2012

something from yesterdays session.
March 12, 2012 @ 00:23:19
http://soundcloud.com/faceclef/the-night

Brand New new!


Wow what software you use to make your beats man?

Ratings to the guys in this thread, posting some real nice stuff
March 12, 2012 @ 01:53:31
http://soundcloud.com/faceclef/the-night

Brand New new!


werd, nice drums.

http://soundcloud.com/thefaded/untitled-03-10-2012

something from yesterdays session.


this is hot smokeyface
March 12, 2012 @ 08:22:20
http://soundcloud.com/thefaded/untitled-03-10-2012

something from yesterdays session.


its so hot how you took toro y moi and added some drums over it.
March 12, 2012 @ 09:52:10
Some good stuff here and there, but where's the soul at? Not the samples, but that feeling...

quincybanks.bandcamp.com | quincybanks.tumblr.com | instagram.com/quincybanks | twitter.com/QQuincyBanks | soundcloud.com/quincybanks

March 12, 2012 @ 18:11:20
http://soundcloud.com/faceclef/the-night

Brand New new!


luv this. time to twist something up and hit the subway tonight. thanks for the vibe
March 12, 2012 @ 18:12:49
did a rough stereo track out, straight out the mpc. homie cLAsicc on the verse. live from koreatown los angeles. thanks HB fam!

March 12, 2012 @ 18:39:50
ill as fuck dude. had my head bobbing.
March 12, 2012 @ 18:41:26
tunnel is always smokeyface
March 13, 2012 @ 04:03:52
http://soundcloud.com/vonvuai

check out buddy von vuai. he has amazing shit.
March 13, 2012 @ 05:06:37
Dat week old swag...

http://soundcloud.com/blakkkmanjones/r0llin
March 13, 2012 @ 05:51:21
sorry for the name lol this shit goes though i promise yo

hahaha
http://soundcloud.com/kbi/rarebasedohmygodbasedowenprevi
March 13, 2012 @ 23:04:20
some more older shit

http://soundcloud.com/blakkkmanjones/dreamland
March 14, 2012 @ 06:41:20
^bass fail dude. Nice drum collection though.
March 14, 2012 @ 07:05:54
^bass fail dude. Nice drum collection though.


What do you mean by that?
March 14, 2012 @ 16:01:08
like when it comes to making basslines you should focus on the first third and fifth scale degrees. Yours were basically everywhere so they didn't really fit with the main synth melody. I would say practice/learn scales and learning basic theory will really help. Keep grinding and Good luck man.
March 14, 2012 @ 16:45:38
like when it comes to making basslines you should focus on the first third and fifth scale degrees. Yours were basically everywhere so they didn't really fit with the main synth melody. I would say practice/learn scales and learning basic theory will really help. Keep grinding and Good luck man.


I get what you are saying but I mean what I made was what I wanted.
March 14, 2012 @ 17:29:16
Originally posted by Inactive User
like when it comes to making basslines you should focus on the first third and fifth scale degrees. Yours were basically everywhere so they didn't really fit with the main synth melody. I would say practice/learn scales and learning basic theory will really help. Keep grinding and Good luck man.


I get what you are saying but I mean what I made was what I wanted.


Nevermind I went back and checked and I had my notes in the wrong place.
March 14, 2012 @ 19:57:32
like when it comes to making basslines you should focus on the first third and fifth scale degrees. Yours were basically everywhere so they didn't really fit with the main synth melody. I would say practice/learn scales and learning basic theory will really help. Keep grinding and Good luck man.


word. all western music, classical to nowadays pop, is all about scales. as somar so eloquently put it, fucks with the root first. which is the first scale degree. next important, the fifth or tonic, etc. i know if you didn't study music, but the theory behind scales is actually really mathematical. there is nothing really musical about learning it at all. let me know!
March 14, 2012 @ 20:07:57
like when it comes to making basslines you should focus on the first third and fifth scale degrees. Yours were basically everywhere so they didn't really fit with the main synth melody. I would say practice/learn scales and learning basic theory will really help. Keep grinding and Good luck man.


word. all western music, classical to nowadays pop, is all about scales. as somar so eloquently put it, fucks with the root first. which is the first scale degree. next important, the fifth or tonic, etc. i know if you didn't study music, but the theory behind scales is actually really mathematical. there is nothing really musical about learning it at all. let me know![/quote.

I feel y'all and got what yall were saying.I fixed it now.I had my notes in the wrong place any way
March 14, 2012 @ 22:01:31
March 14, 2012 @ 22:03:16


That's ill man.I like it.
March 14, 2012 @ 22:03:40
like when it comes to making basslines you should focus on the first third and fifth scale degrees. Yours were basically everywhere so they didn't really fit with the main synth melody. I would say practice/learn scales and learning basic theory will really help. Keep grinding and Good luck man.


can you go more into this

music theory always confused me

do you mean 1st 3rd and 5th as in c, e, and g notes

or do you mean like g scale and c scale and shit like that?
March 14, 2012 @ 23:26:10
yeah, if your composing or playing something in the key of C you would focus on the Dominant which would be G and the third which would be E. When composing a bassline of some sort it makes sense to pretty much make these notes the focus. There is definitely more you have to know in order to make a proper line though and thats pretty much where progressions come into play.
http://www.musictheory.net/
this is a great site to learn the basics of theory. The school I go to is always recommending it to the incoming freshman. And its pretty much all you need to know in order to be a producer, imo.
March 15, 2012 @ 00:30:34
yeah, if your composing or playing something in the key of C you would focus on the Dominant which would be G and the third which would be E. When composing a bassline of some sort it makes sense to pretty much make these notes the focus. There is definitely more you have to know in order to make a proper line though and thats pretty much where progressions come into play.
http://www.musictheory.net/
this is a great site to learn the basics of theory. The school I go to is always recommending it to the incoming freshman. And its pretty much all you need to know in order to be a producer, imo.


That helped a lot with a thing or two I didnt know.thanks man.
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