Black Lodges: Street Culture in 2010

September 27, 2010Cultureby Staff24 Views

Black Lodges offers up its take on the current landscape of the streetwear culture. A honest interpretation of what’s developed throughout the past year, the article speaks of the many faults committed within streetwear and how its once promising future has taken a severe hit. Although some people sympathize with this assessment, there are others who obviously take a different approach. You can be the judge. A good portion of the article is offered below.

The first point we talked about is how street wear has not only killed itself off, but additionally failed at becoming the “next big thing” as well as the fact that the corporate re-interpretation of streetwear has not been the big money maker it initially promised itself to be a. Looking back on it, 2002/2003 really saw the emergence of modern streetwear as we know it today. Let’s, for once, forget about the few brands and stores that paved the way in the 80s and 90s because quite frankly, their models, lessons and aesthetics are actually irrelevant to this movement. I can’t be bothered to write down an all inclusive list of brands from that time period but I am sure we all know what and whom I am talking about here.

Initially, it all looked as if the streetwear movement from that time was going to be big, and I not only mean big as a globally influential youth culture movement with it’s own set of moral, cultural and ethical standards but also big in terms of money. Big enough that in 10-20 years time, those people behind the successful companies could retire in the same style as a certain Mr. Stussy did back in the late 90s. I have written about this before, but to paraphrase it, what made any previous youth cultural movement, including clothing, globally successful and relevant were certain amount of interlocking facts. These are: a moral code not to fuck your friends, i.e blood is thicker than water, i.e. not ethically and morally selling out. Secondly, and this was key to the success of previous youth cultural movements commercially, keeping your distribution really tight. That means, supporting the right independent stores, not going into the mainstream retailers, and only making your product available in select outlets. Previous to 2003, this wasn’t a sales strategy but a fact of life that only a select number of people would actually want your niche product and only a select number of retailers and would and could actually sell your gear.

Now, before 2003 it was generally accepted that if you did make anything relevant to a niche, regardless of music, art, clothing etc, chances were you weren’t going to be millionaire. That was fine, that’s the price you paid for being able to do your thing. Freedom reigned supreme over being rich.

For the first couple of years, I would dare say up until 2007 streetwear looked really promising as it’s participants were generally following said guidelines. Distribution was kept tight, and the global community respected & supported each other, creatively and commercially. Then this financial crisis came. Now, in the previous incarnation of this blog a lot of our community members talked at great length about this and I am not going to get into detail about all that now, but rest assured, I think the mental crisis that accompanied the real life financial crisis that hit us all, went into a total different direction than anticipated by us all. The end result and where we are now is, that all principals that made this movement promising went out the window in the last 3 years and have destroyed the foundation of it, and thus, relegated all chances of this movement to be truly successful.

Looking at what Marc said, as a buyer who firmly believed in streetwear and was willing to support it with large amounts of money and integrity, he has all but given up on it, not only on the independent creative results but also on the corporate interpretations of it. Mostly, because independents have sold out, morally, ethically and most importantly, distribution wise. In his words and I agree with them, the streetwear community falsely started believing it’s own hype that it was a global, both terms of it’s definition and in monetary terms, movement. It wasn’t and now it never will be. Greed got the better of all of us and before you knew it, everyone was selling previously hard to get gear and that took the appeal from it. Furthermore, the ethical standards prerequisite to previous movements such as hardcore, straight edge and to a certain degree grunge were totally ignored, not only by us, but also by those corporates trying to emulate and cash in on the movement. What I mean is that community gave up on itself and that all intellectual and genuine integrity was sold off to the highest bidder.

In retail reality this meant that both the indies and the majors started selling to everyone as the fear of losing money and facing the reality that we are a niche group, started threatening our imaginary empires. This resulted in a lot of genuine first time supporters in retail going broke, as well as a lot of the genuine large retailers loosing faith in the scene. We all lost in the end.

We lost creativity because we sold out. We lost the community because we were greedy. We lost our claim to be influential by selling to everyone in the hope of making a quick buck.

The rest of the piece can be read here.

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  • http://twitter.com/udvclothing Urban Da Vinci

    Forgive me is I am late, but if “Black Lodges” is not a clothing company then it should be. Now, getting to my point, I am in the process of launching my very own clothing line, called Urban Da Vinci. Our goal is to promote creativity. Yet, the only way to keep that creativity is to hold on to the very essence we are founded on. When you lose your essence or replace your essence with greed, one loses the very thing that makes or breaks them. Our goal at Urban Da Vinci is to build a brand that stays true to our core beliefs, and allowing nothing or no one to change. that.

  • http://twitter.com/udvclothing Urban Da Vinci

    Forgive me is I am late, but if “Black Lodges” is not a clothing company then it should be. Now, getting to my point, I am in the process of launching my very own clothing line, called Urban Da Vinci. Our goal is to promote creativity. Yet, the only way to keep that creativity is to hold on to the very essence we are founded on. When you lose your essence or replace your essence with greed, one loses the very thing that makes or breaks them. Our goal at Urban Da Vinci is to build a brand that stays true to our core beliefs, and allowing nothing or no one to change. that.

  • Anonymous

    “Study, destroy, rebuild.”

    My next design.

  • http://www.stacksandbundles.com/lookbook/ MUSSE88

    Respect!

  • http://www.stacksandbundles.com/lookbook/ MUSSE88

    YO!
    Street is forever. Street is LIFE! Therefore you can always make sh*t happen in the STREET!
    What ever makes you happy doing what you’re doing is the thing to do.
    As long as there is money in the mix there will be all kinds of people in the mix.
    Some doing it for the love, for the art. As for others, their love, their art… IS THE DOLLAR!
    Respect & integrity is what you’re looking for? Then connect and live life with those of respect and integrity. It’s a big world, it’s a bigger universe. I don’t wanna hear MY YOUTH, MY CULTURE, WHO I AM is DEAD! That’s like when everyone ran around for a hot minute talking about Hip-Hop is dead!
    Hip-Hop is never dead. Just as the Streets will never die. So there will always be street wear. There is always something new birthed and cultivated threw the wisdom of it’s elders’ history.
    We come from the past and will be in the future. I’m so proud of our youth with there unquenchable thirst to learn and innovate. Just like “WE” used to be (& still should be).
    Bottom line! If you go that hustle & Grind and you love what you do… You’ve already achieved success.
    Time for the CONTINUUM. (& I’m not talking about that John Mayer shit… He already gets enough promotion.)

  • Damnitman

    Can someone define streetwear? Really

  • Loler

    loler

  • Loler

    loler

  • loler

    Get your Mason out

  • loler

    Get your Mason out

  • Bawse

    all this talk from a group with a standard masonic clip art logo, and the boston redsox font. Maybe their shitty unoriginal bandwagon branding skills have something to do with the cheapening of the streetwear scene. Bam!

  • Bawse

    all this talk from a group with a standard masonic clip art logo, and the boston redsox font. Maybe their shitty unoriginal bandwagon branding skills have something to do with the cheapening of the streetwear scene. Bam!

  • 2b

    Honestly there are a number of companies that have gone off the grid. Streetwear has tapered off…the entire industry seemed like it has peaked already. I admire the smaller companies that are in the trenches and just take off…like what Mike Giant has done with Rebel 8…as an artist myself I hope to see companies hire artists/illustrators who aren’t fakin the funk….people sitting behind a computer pumping out designs using photoshop. Ha…now just like the music industry…people are looking to cash in on an artists street credibility…that’s great. It’s gonna take that and hella marketing to spark a comeback!

  • Abc212

    this piece seems as a statement from s.o. feeling ignored by bad corporate – ‘his’ scene got exploited and theres no fair share for him, although he feels destinated to be THE authority. guy should feel happy for peeps being paid by corporate to give em cool or what not… being able to make a good living as an artist, designer, etc… btw – there’re lots of small indy brands round – they make $ and even have fun cause they DO things – not only ‘write & mourn’ bout it!
    envy never leads to the top – check your ingredients!

  • Cantdropin

    The king wears invisible clothes….there will never be another cultural revolution….information passes to quickly and freely, people like Steven Vogel owner of Black Lodges still holds on to the glory days…very much like sofa quarterbacks, style is fast and stands on the back of previous ideas and trends…to not constantly evolve is this market is to die….this article is like saying there is global warming and Steven Vogel just discovered it…learn to drop in, then we can talk.

  • ManilaAnimal

    the author needs to get out more and get a life.

  • KEVIN

    Wow, what a cynic.

  • Pingback: Black Lodges: Street Culture in 2010 « Standard…

  • MacCauley

    I think this is being read into way too much. This is fashion, I know nobody wants to admit it, but plain and simple… fashion has trends, trends die, new trends emerge. Lets not jerk off to this topic anymore and move on, some of the best stuff I’ve ever seen is being designed right now in response to this stupid “streetwear recession” or whatever. This article is about two years too late.

  • Pingback: My Thoughts – Black Lodges: Street Culture in 2010 « DP

  • Anonymous

    I kind of dig this, but to me Progression is key if you think you got the streets on lock flood
    them with product to spread the name then you can always downscale productivity to your liking
    for me as an up start I gave away a lot of merch and then l made things exclusive…..now the want is
    astounding. I think in the end some of these companies know they are fluky and fadish so they sell out to
    make all the money they can to either cash out or regroup Shiiiiiiiiiiet it’s the american way!

  • Youalreadyknow

    dunno why this is shocking, look at modern day luxury groups such as LVMH. Think this is a bit of a stretch, there are always going to be a select group of people making both quality luxury goods that aren’t all about the dollar and same will be the case with street wear. Don’t know the author personally but seemed like he was burned pretty bad by street wear perhaps?

  • Youalreadyknow

    dunno why this is shocking, look at modern day luxury groups such as LVMH. Think this is a bit of a stretch, there are always going to be a select group of people making both quality luxury goods that aren’t all about the dollar and same will be the case with street wear. Don’t know the author personally but seemed like he was burned pretty bad by street wear perhaps?

  • http://mrkendal.blogspot.com/ FantasticMrBlack

    Having been a buyer and a seller of streetwear in the 90′s, I too watched the rise of this cultural phenomenon. I was dismayed by its recent collapse as described above and I completely agree. Streetwear companies in the 00′s tried to laugh all the way to the bank as they tried to imitate the success of their young dot-com siblings. But what many of them didn’t understand was that the streetwear product begins and ends with each seasons release. Without continual creativity, exclusivity, and demand through desire, the brand dies. So what’s next? Rebirth through renewal. Streetwear was born through creative use of products that already existed. Secondhand clothing was modified with personal touches and visual cues. The rebirth of streetwear will come only as we revisit the archives, rip it, and re-assemble it.Study, destroy, rebuild.

  • Am

    karmaloop and the hundreds ruined the world!

  • http://www.floydsanchez.com Floyd

    streetwear is pretty important to this guy, huh.

  • http://www.floydsanchez.com Floyd

    streetwear is pretty important to this guy, huh.

  • http://www.floydsanchez.com Floyd

    streetwear is pretty important to this guy, huh.

  • snuzi

    True streetwear is nothing special and requires no explanation. Those who have eyes will see.