Damien Hirst “Requiem” Exhibition

April 29, 2009Uncategorizedby Eugene Kan4501 Views

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In an unlikely locale, Damien Hirst’s career retrospective exhibit “Requiem” debuted at the Pinchuk Art Center in the Ukrainian capital of Kiev. The showcase featured many of Hirst’s stunning career works which amounted to over 100 seperate pieces from a ten year span from 1998 to 2008. Emanating largely from a private collection, the many styles of Hirst are seen including his famous formaldehyde animal installations as well as his “Spin” style paintings.

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Source: SuperTouch

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  • Anonymous

    The problem with Damien Hirst is not if you hire a staff to get it done. I am an architect and need a lot of that to get my concepts done. The real issue is the actual value of ideas and the use of illegal schemes to overrate the work like buying his own work at the auction to raise up the value of the work. Overrated yes. Genius is rather debatable. I do not think we will be discussing Hirst work 400 years from now as we do with Michellangelo’s “stiff” work. 
    Hirst is just a result of the era we live in flodded with media lacking substance.

  • http://www.facebook.com/people/Zachary-Brandner/1057678485 Zachary Brandner

    His work is beautifully executed and brilliant. Also, it is extremely work-intensive and precise. The problem with saying “I could do that, what’s so special about it!?”(as with a Pollock for example), is that – maybe you could have done it but – YOU DIDN’T. The powerful thing about 20th and 21st century art is that it honors the “POWER OF IDEAS.” Art can embody and/or point to deeper concepts and feelings in the audience. In the past, you had to be a skilled painter/drawer/sculptor to attract any accolades. Now, while many of these artists are truly skilled, they are no longer restricted by the tired old traditions and standards of the past that really stifled and restricted creative expression. If you have a creative, poetic perspective, you will find beauty and meaning in Hirst’s work. It starkly and poignantly communicates some of the big issues we are dealing with in the world today; the complex relationship between the shrinking outdoors and the growing indoors and the effects of that on the natural environment, the effects of the “quick-fix society” on the collective psyche, etc. He takes these issues and presents them in a way that is simple and quiet (zen), and also painful and uneasy. No great revolutionary artist of the past was met without some criticism and without making many uncomfortable and uneasy with their work.

  • http://www.facebook.com/people/Zachary-Brandner/1057678485 Zachary Brandner

    His work is beautifully executed and brilliant. Also, it is extremely work-intensive and precise. The problem with saying “I could do that, what’s so special about it!?”(as with a Pollock for example), is that – maybe you could have done it but – YOU DIDN’T. The powerful thing about 20th and 21st century art is that it honors the “POWER OF IDEAS.” Art can embody and/or point to deeper concepts and feelings in the audience. In the past, you had to be a skilled painter/drawer/sculptor to attract any accolades. Now, while many of these artists are truly skilled, they are no longer restricted by the tired old traditions and standards of the past that really stifled and restricted creative expression. If you have a creative, poetic perspective, you will find beauty and meaning in Hirst’s work. It starkly and poignantly communicates some of the big issues we are dealing with in the world today; the complex relationship between the shrinking outdoors and the growing indoors and the effects of that on the natural environment, the effects of the “quick-fix society” on the collective psyche, etc. He takes these issues and presents them in a way that is simple and quiet (zen), and also painful and uneasy. No great revolutionary artist of the past was met without some criticism and without making many uncomfortable and uneasy with their work.

  • http://www.facebook.com/people/Zachary-Brandner/1057678485 Zachary Brandner

    His work is beautifully executed and brilliant. Also, it is extremely work-intensive and precise. The problem with saying “I could do that, what’s so special about it!?”(as with a Pollock for example), is that – maybe you could have done it but – YOU DIDN’T. The powerful thing about 20th and 21st century art is that it honors the “POWER OF IDEAS.” Art can embody and/or point to deeper concepts and feelings in the audience. In the past, you had to be a skilled painter/drawer/sculptor to attract any accolades. Now, while many of these artists are truly skilled, they are no longer restricted by the tired old traditions and standards of the past that really stifled and restricted creative expression. If you have a creative, poetic perspective, you will find beauty and meaning in Hirst’s work. It starkly and poignantly communicates some of the big issues we are dealing with in the world today; the complex relationship between the shrinking outdoors and the growing indoors and the effects of that on the natural environment, the effects of the “quick-fix society” on the collective psyche, etc. He takes these issues and presents them in a way that is simple and quiet (zen), and also painful and uneasy. No great revolutionary artist of the past was met without some criticism and without making many uncomfortable and uneasy with their work.

  • http://www.facebook.com/people/Zachary-Brandner/1057678485 Zachary Brandner

    His work is beautifully executed and brilliant. Also, it is extremely work-intensive and precise. The problem with saying “I could do that, what’s so special about it!?”(as with a Pollock for example), is that – maybe you could have done it but – YOU DIDN’T. The powerful thing about 20th and 21st century art is that it honors the “POWER OF IDEAS.” Art can embody and/or point to deeper concepts and feelings in the audience. In the past, you had to be a skilled painter/drawer/sculptor to attract any accolades. Now, while many of these artists are truly skilled, they are no longer restricted by the tired old traditions and standards of the past that really stifled and restricted creative expression. If you have a creative, poetic perspective, you will find beauty and meaning in Hirst’s work. It starkly and poignantly communicates some of the big issues we are dealing with in the world today; the complex relationship between the shrinking outdoors and the growing indoors and the effects of that on the natural environment, the effects of the “quick-fix society” on the collective psyche, etc. He takes these issues and presents them in a way that is simple and quiet (zen), and also painful and uneasy. No great revolutionary artist of the past was met without some criticism and without making many uncomfortable and uneasy with their work.

  • http://www.facebook.com/people/Zachary-Brandner/1057678485 Zachary Brandner

    His work is beautifully executed and brilliant. Also, it is extremely work-intensive and precise. The problem with saying “I could do that, what’s so special about it!?”(as with a Pollock for example), is that – maybe you could have done it but – YOU DIDN’T. The powerful thing about 20th and 21st century art is that it honors the “POWER OF IDEAS.” Art can embody and/or point to deeper concepts and feelings in the audience. In the past, you had to be a skilled painter/drawer/sculptor to attract any accolades. Now, while many of these artists are truly skilled, they are no longer restricted by the tired old traditions and standards of the past that really stifled and restricted creative expression. If you have a creative, poetic perspective, you will find beauty and meaning in Hirst’s work. It starkly and poignantly communicates some of the big issues we are dealing with in the world today; the complex relationship between the shrinking outdoors and the growing indoors and the effects of that on the natural environment, the effects of the “quick-fix society” on the collective psyche, etc. He takes these issues and presents them in a way that is simple and quiet (zen), and also painful and uneasy. No great revolutionary artist of the past was met without some criticism and without making many uncomfortable and uneasy with their work.

  • http://www.facebook.com/people/Zachary-Brandner/1057678485 Zachary Brandner

    His work is beautifully executed and brilliant. Also, it is extremely work-intensive and precise. The problem with saying “I could do that, what’s so special about it!?”(as with a Pollock for example), is that – maybe you could have done it but – YOU DIDN’T. The powerful thing about 20th and 21st century art is that it honors the “POWER OF IDEAS.” Art can embody and/or point to deeper concepts and feelings in the audience. In the past, you had to be a skilled painter/drawer/sculptor to attract any accolades. Now, while many of these artists are truly skilled, they are no longer restricted by the tired old traditions and standards of the past that really stifled and restricted creative expression. If you have a creative, poetic perspective, you will find beauty and meaning in Hirst’s work. It starkly and poignantly communicates some of the big issues we are dealing with in the world today; the complex relationship between the shrinking outdoors and the growing indoors and the effects of that on the natural environment, the effects of the “quick-fix society” on the collective psyche, etc. He takes these issues and presents them in a way that is simple and quiet (zen), and also painful and uneasy. No great revolutionary artist of the past was met without some criticism and without making many uncomfortable and uneasy with their work.

  • http://www.facebook.com/people/Zachary-Brandner/1057678485 Zachary Brandner

    His work is beautifully executed and brilliant. Also, it is extremely work-intensive and precise. The problem with saying “I could do that, what’s so special about it!?”(as with a Pollock for example), is that – maybe you could have done it but – YOU DIDN’T. The powerful thing about 20th and 21st century art is that it honors the “POWER OF IDEAS.” Art can embody and/or point to deeper concepts and feelings in the audience. In the past, you had to be a skilled painter/drawer/sculptor to attract any accolades. Now, while many of these artists are truly skilled, they are no longer restricted by the tired old traditions and standards of the past that really stifled and restricted creative expression. If you have a creative, poetic perspective, you will find beauty and meaning in Hirst’s work. It starkly and poignantly communicates some of the big issues we are dealing with in the world today; the complex relationship between the shrinking outdoors and the growing indoors and the effects of that on the natural environment, the effects of the “quick-fix society” on the collective psyche, etc. He takes these issues and presents them in a way that is simple and quiet (zen), and also painful and uneasy. No great revolutionary artist of the past was met without some criticism and without making many uncomfortable and uneasy with their work.

  • http://www.facebook.com/people/Zachary-Brandner/1057678485 Zachary Brandner

    His work is beautifully executed and brilliant. Also, it is extremely work-intensive and precise. The problem with saying “I could do that, what’s so special about it!?”(as with a Pollock for example), is that – maybe you could have done it but – YOU DIDN’T. The powerful thing about 20th and 21st century art is that it honors the “POWER OF IDEAS.” Art can embody and/or point to deeper concepts and feelings in the audience. In the past, you had to be a skilled painter/drawer/sculptor to attract any accolades. Now, while many of these artists are truly skilled, they are no longer restricted by the tired old traditions and standards of the past that really stifled and restricted creative expression. If you have a creative, poetic perspective, you will find beauty and meaning in Hirst’s work. It starkly and poignantly communicates some of the big issues we are dealing with in the world today; the complex relationship between the shrinking outdoors and the growing indoors and the effects of that on the natural environment, the effects of the “quick-fix society” on the collective psyche, etc. He takes these issues and presents them in a way that is simple and quiet (zen), and also painful and uneasy. No great revolutionary artist of the past was met without some criticism and without making many uncomfortable and uneasy with their work.

  • http://www.facebook.com/people/Zachary-Brandner/1057678485 Zachary Brandner

    His work is beautifully executed and brilliant. Also, it is extremely work-intensive and precise. The problem with saying “I could do that, what’s so special about it!?”(as with a Pollock for example), is that – maybe you could have done it but – YOU DIDN’T. The powerful thing about 20th and 21st century art is that it honors the “POWER OF IDEAS.” Art can embody and/or point to deeper concepts and feelings in the audience. In the past, you had to be a skilled painter/drawer/sculptor to attract any accolades. Now, while many of these artists are truly skilled, they are no longer restricted by the tired old traditions and standards of the past that really stifled and restricted creative expression. If you have a creative, poetic perspective, you will find beauty and meaning in Hirst’s work. It starkly and poignantly communicates some of the big issues we are dealing with in the world today; the complex relationship between the shrinking outdoors and the growing indoors and the effects of that on the natural environment, the effects of the “quick-fix society” on the collective psyche, etc. He takes these issues and presents them in a way that is simple and quiet (zen), and also painful and uneasy. No great revolutionary artist of the past was met without some criticism and without making many uncomfortable and uneasy with their work.

  • http://www.facebook.com/people/Zachary-Brandner/1057678485 Zachary Brandner

    His work is beautifully executed and brilliant. Also, it is extremely work-intensive and precise. The problem with saying “I could do that, what’s so special about it!?”(as with a Pollock for example), is that – maybe you could have done it but – YOU DIDN’T. The powerful thing about 20th and 21st century art is that it honors the “POWER OF IDEAS.” Art can embody and/or point to deeper concepts and feelings in the audience. In the past, you had to be a skilled painter/drawer/sculptor to attract any accolades. Now, while many of these artists are truly skilled, they are no longer restricted by the tired old traditions and standards of the past that really stifled and restricted creative expression. If you have a creative, poetic perspective, you will find beauty and meaning in Hirst’s work. It starkly and poignantly communicates some of the big issues we are dealing with in the world today; the complex relationship between the shrinking outdoors and the growing indoors and the effects of that on the natural environment, the effects of the “quick-fix society” on the collective psyche, etc. He takes these issues and presents them in a way that is simple and quiet (zen), and also painful and uneasy. No great revolutionary artist of the past was met without some criticism and without making many uncomfortable and uneasy with their work.

  • http://www.facebook.com/people/Zachary-Brandner/1057678485 Zachary Brandner

    His work is beautifully executed and brilliant. Also, it is extremely work-intensive and precise. The problem with saying “I could do that, what’s so special about it!?”(as with a Pollock for example), is that – maybe you could have done it but – YOU DIDN’T. The powerful thing about 20th and 21st century art is that it honors the “POWER OF IDEAS.” Art can embody and/or point to deeper concepts and feelings in the audience. In the past, you had to be a skilled painter/drawer/sculptor to attract any accolades. Now, while many of these artists are truly skilled, they are no longer restricted by the tired old traditions and standards of the past that really stifled and restricted creative expression. If you have a creative, poetic perspective, you will find beauty and meaning in Hirst’s work. It starkly and poignantly communicates some of the big issues we are dealing with in the world today; the complex relationship between the shrinking outdoors and the growing indoors and the effects of that on the natural environment, the effects of the “quick-fix society” on the collective psyche, etc. He takes these issues and presents them in a way that is simple and quiet (zen), and also painful and uneasy. No great revolutionary artist of the past was met without some criticism and without making many uncomfortable and uneasy with their work.

  • http://www.facebook.com/people/Zachary-Brandner/1057678485 Zachary Brandner

    His work is beautifully executed and brilliant. Also, it is extremely work-intensive and precise. The problem with saying “I could do that, what’s so special about it!?”(as with a Pollock for example), is that – maybe you could have done it but – YOU DIDN’T. The powerful thing about 20th and 21st century art is that it honors the “POWER OF IDEAS.” Art can embody and/or point to deeper concepts and feelings in the audience. In the past, you had to be a skilled painter/drawer/sculptor to attract any accolades. Now, while many of these artists are truly skilled, they are no longer restricted by the tired old traditions and standards of the past that really stifled and restricted creative expression. If you have a creative, poetic perspective, you will find beauty and meaning in Hirst’s work. It starkly and poignantly communicates some of the big issues we are dealing with in the world today; the complex relationship between the shrinking outdoors and the growing indoors and the effects of that on the natural environment, the effects of the “quick-fix society” on the collective psyche, etc. He takes these issues and presents them in a way that is simple and quiet (zen), and also painful and uneasy. No great revolutionary artist of the past was met without some criticism and without making many uncomfortable and uneasy with their work.

  • http://www.facebook.com/people/Zachary-Brandner/1057678485 Zachary Brandner

    His work is beautifully executed and brilliant. Also, it is extremely work-intensive and precise. The problem with saying “I could do that, what’s so special about it!?”(as with a Pollock for example), is that – maybe you could have done it but – YOU DIDN’T. The powerful thing about 20th and 21st century art is that it honors the “POWER OF IDEAS.” Art can embody and/or point to deeper concepts and feelings in the audience. In the past, you had to be a skilled painter/drawer/sculptor to attract any accolades. Now, while many of these artists are truly skilled, they are no longer restricted by the tired old traditions and standards of the past that really stifled and restricted creative expression. If you have a creative, poetic perspective, you will find beauty and meaning in Hirst’s work. It starkly and poignantly communicates some of the big issues we are dealing with in the world today; the complex relationship between the shrinking outdoors and the growing indoors and the effects of that on the natural environment, the effects of the “quick-fix society” on the collective psyche, etc. He takes these issues and presents them in a way that is simple and quiet (zen), and also painful and uneasy. No great revolutionary artist of the past was met without some criticism and without making many uncomfortable and uneasy with their work.

  • http://www.facebook.com/people/Zachary-Brandner/1057678485 Zachary Brandner

    His work is beautifully executed and brilliant. Also, it is extremely work-intensive and precise. The problem with saying “I could do that, what’s so special about it!?”(as with a Pollock for example), is that – maybe you could have done it but – YOU DIDN’T. The powerful thing about 20th and 21st century art is that it honors the “POWER OF IDEAS.” Art can embody and/or point to deeper concepts and feelings in the audience. In the past, you had to be a skilled painter/drawer/sculptor to attract any accolades. Now, while many of these artists are truly skilled, they are no longer restricted by the tired old traditions and standards of the past that really stifled and restricted creative expression. If you have a creative, poetic perspective, you will find beauty and meaning in Hirst’s work. It starkly and poignantly communicates some of the big issues we are dealing with in the world today; the complex relationship between the shrinking outdoors and the growing indoors and the effects of that on the natural environment, the effects of the “quick-fix society” on the collective psyche, etc. He takes these issues and presents them in a way that is simple and quiet (zen), and also painful and uneasy. No great revolutionary artist of the past was met without some criticism and without making many uncomfortable and uneasy with their work.

  • http://www.facebook.com/people/Zachary-Brandner/1057678485 Zachary Brandner

    His work is beautifully executed and brilliant. Also, it is extremely work-intensive and precise. The problem with saying “I could do that, what’s so special about it!?”(as with a Pollock for example), is that – maybe you could have done it but – YOU DIDN’T. The powerful thing about 20th and 21st century art is that it honors the “POWER OF IDEAS.” Art can embody and/or point to deeper concepts and feelings in the audience. In the past, you had to be a skilled painter/drawer/sculptor to attract any accolades. Now, while many of these artists are truly skilled, they are no longer restricted by the tired old traditions and standards of the past that really stifled and restricted creative expression. If you have a creative, poetic perspective, you will find beauty and meaning in Hirst’s work. It starkly and poignantly communicates some of the big issues we are dealing with in the world today; the complex relationship between the shrinking outdoors and the growing indoors and the effects of that on the natural environment, the effects of the “quick-fix society” on the collective psyche, etc. He takes these issues and presents them in a way that is simple and quiet (zen), and also painful and uneasy. No great revolutionary artist of the past was met without some criticism and without making many uncomfortable and uneasy with their work.

  • http://www.facebook.com/people/Zachary-Brandner/1057678485 Zachary Brandner

    His work is beautifully executed and brilliant. Also, it is extremely work-intensive and precise. The problem with saying “I could do that, what’s so special about it!?”(as with a Pollock for example), is that – maybe you could have done it but – YOU DIDN’T. The powerful thing about 20th and 21st century art is that it honors the “POWER OF IDEAS.” Art can embody and/or point to deeper concepts and feelings in the audience. In the past, you had to be a skilled painter/drawer/sculptor to attract any accolades. Now, while many of these artists are truly skilled, they are no longer restricted by the tired old traditions and standards of the past that really stifled and restricted creative expression. If you have a creative, poetic perspective, you will find beauty and meaning in Hirst’s work. It starkly and poignantly communicates some of the big issues we are dealing with in the world today; the complex relationship between the shrinking outdoors and the growing indoors and the effects of that on the natural environment, the effects of the “quick-fix society” on the collective psyche, etc. He takes these issues and presents them in a way that is simple and quiet (zen), and also painful and uneasy. No great revolutionary artist of the past was met without some criticism and without making many uncomfortable and uneasy with their work.

  • http://www.facebook.com/people/Zachary-Brandner/1057678485 Zachary Brandner

    His work is beautifully executed and brilliant. Also, it is extremely work-intensive and precise. The problem with saying “I could do that, what’s so special about it!?”(as with a Pollock for example), is that – maybe you could have done it but – YOU DIDN’T. The powerful thing about 20th and 21st century art is that it honors the “POWER OF IDEAS.” Art can embody and/or point to deeper concepts and feelings in the audience. In the past, you had to be a skilled painter/drawer/sculptor to attract any accolades. Now, while many of these artists are truly skilled, they are no longer restricted by the tired old traditions and standards of the past that really stifled and restricted creative expression. If you have a creative, poetic perspective, you will find beauty and meaning in Hirst’s work. It starkly and poignantly communicates some of the big issues we are dealing with in the world today; the complex relationship between the shrinking outdoors and the growing indoors and the effects of that on the natural environment, the effects of the “quick-fix society” on the collective psyche, etc. He takes these issues and presents them in a way that is simple and quiet (zen), and also painful and uneasy. No great revolutionary artist of the past was met without some criticism and without making many uncomfortable and uneasy with their work.

  • rana

    I totally agree… genius… if you read what his art means.. you will just “get it ” and if you see it live you will just be shocked! I saw him in person in Mexico City.. it is simply amazing.

  • Matthew

    Look at him in front of his shark-in-a-box piece — all that money and he can’t afford pants that fit him. Some f’ing asthetic.
    1) put some gel in a box
    2) put yer shark in the box
    3) make them look at the box
    And that’s the way you do it
    It’s my shark in a box
    My shark in a box babe

  • http://www.patrou.com Patrou

    come on people

  • http://www.patrou.com Patrou

    come on people

  • http://www.patrou.com Patrou

    come on people

  • http://www.patrou.com Patrou

    come on people

  • http://www.patrou.com Patrou

    come on people

  • not impressed

    Hirst is the Kanye of the Art world,

    another mutha-phuckin gayfish!!!

  • not impressed

    Hirst is the Kanye of the Art world,

    another mutha-phuckin gayfish!!!

  • not impressed

    Hirst is the Kanye of the Art world,

    another mutha-phuckin gayfish!!!

  • not impressed

    Hirst is the Kanye of the Art world,

    another mutha-phuckin gayfish!!!

  • not impressed

    Hirst is the Kanye of the Art world,

    another mutha-phuckin gayfish!!!

  • stripclubdave

    Is film art? Music? Great directors have huge numbers of people forwarding their vision. Mozart. Beethoven. They write massive gorgeous pieces yet need highly trained musicians to bring their opus to life. Damien Hirst is a man.

  • stripclubdave

    Is film art? Music? Great directors have huge numbers of people forwarding their vision. Mozart. Beethoven. They write massive gorgeous pieces yet need highly trained musicians to bring their opus to life. Damien Hirst is a man.

  • stripclubdave

    Is film art? Music? Great directors have huge numbers of people forwarding their vision. Mozart. Beethoven. They write massive gorgeous pieces yet need highly trained musicians to bring their opus to life. Damien Hirst is a man.

  • stripclubdave

    Is film art? Music? Great directors have huge numbers of people forwarding their vision. Mozart. Beethoven. They write massive gorgeous pieces yet need highly trained musicians to bring their opus to life. Damien Hirst is a man.

  • stripclubdave

    Is film art? Music? Great directors have huge numbers of people forwarding their vision. Mozart. Beethoven. They write massive gorgeous pieces yet need highly trained musicians to bring their opus to life. Damien Hirst is a man.

  • Matty Fucking Howard

    THE TIGER SHARK WAS CAUGHT IN MORETON BAY, QUEENSLAND..

    PAID $400 AND SOLD IT FOR $60M..

    Capitalism at its finest.

  • Matty Fucking Howard

    THE TIGER SHARK WAS CAUGHT IN MORETON BAY, QUEENSLAND..

    PAID $400 AND SOLD IT FOR $60M..

    Capitalism at its finest.

  • Matty Fucking Howard

    THE TIGER SHARK WAS CAUGHT IN MORETON BAY, QUEENSLAND..

    PAID $400 AND SOLD IT FOR $60M..

    Capitalism at its finest.

  • Chris Kong

    Smart and well executed. Hired Staff isn’t a problem. Technically his staff is like his tools. Just like many artists uses computer to help generate their works. To come up with the concept and Idea is the key. Damien Hirst is obviously a different breed artist.

  • Chris Kong

    Smart and well executed. Hired Staff isn’t a problem. Technically his staff is like his tools. Just like many artists uses computer to help generate their works. To come up with the concept and Idea is the key. Damien Hirst is obviously a different breed artist.

  • Chris Kong

    Smart and well executed. Hired Staff isn’t a problem. Technically his staff is like his tools. Just like many artists uses computer to help generate their works. To come up with the concept and Idea is the key. Damien Hirst is obviously a different breed artist.

  • http://mikehawk mikehawk

    Damien Hirst is a true Genius..! His sense of design is always incorporated into all his work.. Brilliant..!

    yeah right more like he is a huge jerk-off and way-overrated

  • http://www.damienhurst.com damien hurst

    i am overrated yes, do i care no.

  • http://www.damienhurst.com damien hurst

    i am overrated yes, do i care no.

  • http://www.damienhurst.com damien hurst

    i am overrated yes, do i care no.

  • http://www.damienhurst.com damien hurst

    i am overrated yes, do i care no.

  • http://www.myspace.com/jakejuanyouknowwhatitis FKYOURSYSTEM

    thats pretty chronic

  • http://www.myspace.com/jakejuanyouknowwhatitis FKYOURSYSTEM

    thats pretty chronic

  • A Savvy

    I couldn’t agree with you more gregston.

  • A Savvy

    I couldn’t agree with you more gregston.

  • jaws

    worlds most overrated artist

  • jaws

    worlds most overrated artist

  • jaws

    worlds most overrated artist

  • jaws

    worlds most overrated artist

  • http://www.flickr.com/adeelololzz adeelololzz

    The Physical Impossibility of Death in the Mind of Someone Living

  • http://www.flickr.com/adeelololzz adeelololzz

    The Physical Impossibility of Death in the Mind of Someone Living

  • http://www.flickr.com/adeelololzz adeelololzz

    The Physical Impossibility of Death in the Mind of Someone Living

  • http://www.flickr.com/adeelololzz adeelololzz

    The Physical Impossibility of Death in the Mind of Someone Living

  • backspace

    WTF!?!?!?!?! at that cow pic!!!!

  • backspace

    WTF!?!?!?!?! at that cow pic!!!!

  • dilhouse

    waste of good food mm shark burgas at least the drugs survived

  • dilhouse

    waste of good food mm shark burgas at least the drugs survived

  • dilhouse

    waste of good food mm shark burgas at least the drugs survived

  • dilhouse

    waste of good food mm shark burgas at least the drugs survived

  • Don

    hot just hot

  • Don

    hot just hot

  • http://recluIgloo.blogspot.com gregston

    The artist as brand troubles me sometimes. what I mean is art loses something when you find out the artist’s hand is not truly responsible for what you see; a hired staff, the artist only coming up with the idea for a piece and not putting in the hours, but he did create these seemingly streamlined pieces himself at one point and the demand led to something else, seems rather conflicting…rambling, sorry haha

  • http://recluIgloo.blogspot.com gregston

    The artist as brand troubles me sometimes. what I mean is art loses something when you find out the artist’s hand is not truly responsible for what you see; a hired staff, the artist only coming up with the idea for a piece and not putting in the hours, but he did create these seemingly streamlined pieces himself at one point and the demand led to something else, seems rather conflicting…rambling, sorry haha

  • royalbluntt99

    I love Hirst’s art!!! He is the SHIT!

  • royalbluntt99

    I love Hirst’s art!!! He is the SHIT!

  • royalbluntt99

    I love Hirst’s art!!! He is the SHIT!

  • http://wearetheprocess.com Larry

    sick! i love his work. it would be amazing to see it in person.

  • http://wearetheprocess.com Larry

    sick! i love his work. it would be amazing to see it in person.

  • http://wearetheprocess.com Larry

    sick! i love his work. it would be amazing to see it in person.

  • cs

    And all the slave artists he used to get this down is forever forgotten and unheard of.

  • cs

    And all the slave artists he used to get this down is forever forgotten and unheard of.

  • cs

    And all the slave artists he used to get this down is forever forgotten and unheard of.

  • http://www.twitter.com/knowchoyce CHOYCE

    Damien Hirst is a true Genius..! His sense of design is always incorporated into all his work.. Brilliant..!

  • http://www.twitter.com/knowchoyce CHOYCE

    Damien Hirst is a true Genius..! His sense of design is always incorporated into all his work.. Brilliant..!

  • http://www.twitter.com/knowchoyce CHOYCE

    Damien Hirst is a true Genius..! His sense of design is always incorporated into all his work.. Brilliant..!

  • http://www.twitter.com/knowchoyce CHOYCE

    Damien Hirst is a true Genius..! His sense of design is always incorporated into all his work.. Brilliant..!

  • VasyaV

    Yeah!)
    This is my city))Wellcome!)

  • VasyaV

    Yeah!)
    This is my city))Wellcome!)

  • VasyaV

    Yeah!)
    This is my city))Wellcome!)

  • VasyaV

    Yeah!)
    This is my city))Wellcome!)